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Cropping, details, and fraction characterize Susanne Huth’s new photographic series, presenting a fragmented view of public space in Berlin Mitte. Through close-ups, she highlights elements of the city that often go unnoticed. Huth contrasts two groups of motifs: details from luxury boutique window displays and enlarged graphic structures of youth counter-culture stickers. Her approach varies with focus; for luxury items, the camera maintains a distant perspective, capturing reflections that reveal parts of the surrounding space. In contrast, the process of documenting stickers on lampposts is more tactile, selecting segments from the layered palimpsest of urban signage for studio reproduction. This duality reflects the thematic essence of the series. Huth embodies a role that observes rather than engages with high-end boutiques, making her more attuned to subcultural references. The juxtaposition of these elements illustrates contrasting urban realities: upscale boutiques cater to affluent consumers, while stickers utilize remaining public space to inform young urban creatives about events and gatherings. Together, the consumer goods in display windows and the typographical elements in public spaces reveal the complexities of commercial influence in urban environments.

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Sortiment, Susanne Huth

Langue
Année de publication
2017
Reliure
(souple)
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Titre
Sortiment
Publié
2017
Format
souple
Pages
32
ISBN10
3957633923
ISBN13
9783957633927
Séries
Mots clés
Art, Espace, Berlin
Description
Cropping, details, and fraction characterize Susanne Huth’s new photographic series, presenting a fragmented view of public space in Berlin Mitte. Through close-ups, she highlights elements of the city that often go unnoticed. Huth contrasts two groups of motifs: details from luxury boutique window displays and enlarged graphic structures of youth counter-culture stickers. Her approach varies with focus; for luxury items, the camera maintains a distant perspective, capturing reflections that reveal parts of the surrounding space. In contrast, the process of documenting stickers on lampposts is more tactile, selecting segments from the layered palimpsest of urban signage for studio reproduction. This duality reflects the thematic essence of the series. Huth embodies a role that observes rather than engages with high-end boutiques, making her more attuned to subcultural references. The juxtaposition of these elements illustrates contrasting urban realities: upscale boutiques cater to affluent consumers, while stickers utilize remaining public space to inform young urban creatives about events and gatherings. Together, the consumer goods in display windows and the typographical elements in public spaces reveal the complexities of commercial influence in urban environments.