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"Ant Farm, the conceptual architectural practice turned art collaborative, is known for such distinctive works as House of the Century (1971-73), Cadillac Ranch (1974), and The Eternal Frame (1975). -- Of equal notoriety is Media Burn, Ant Farm's legendary 1975 performance, in which a radically customized Cadillac was driven through a wall of burning television sets. Media Burn: Ant Farm and the Making of an Image is a vibrant assessment of the complex set of cultural references and art-making strategies informing this collision of twentieth-century icons. -- Author Steve Seid (Berkeley Art Museum and Pacific Film Archive) probes the little-known critical backstory of this bold performance (and resulting video work) and its irreverent effort to mount a subversive critique of media hegemony while reimagining the core meaning of performance itself. -- Media Burn: Ant Farm and the Making of an Image examines car culture, image proliferation, and radical architectural practice, and offers a close read of Media Burn's numerous texts, speeches, ephemera, and artifacts."--Provided by publisher
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Media Burn: Ant Farm and the Making of an Image, Steve Seid
- Langue
- Année de publication
- 2020
- product-detail.submit-box.info.binding
- (souple)
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- Titre
- Media Burn: Ant Farm and the Making of an Image
- Langue
- Anglais
- Auteurs
- Steve Seid
- Éditeur
- Inventory Press LLC
- Publié
- 2020
- Format
- souple
- Pages
- 128
- ISBN10
- 1941753353
- ISBN13
- 9781941753354
- Séries
- Mots clés
- Nonfiction, Art / Culture, Loisirs et maison, Beaux-arts
- Évaluation
- 4 sur 5
- Description
- "Ant Farm, the conceptual architectural practice turned art collaborative, is known for such distinctive works as House of the Century (1971-73), Cadillac Ranch (1974), and The Eternal Frame (1975). -- Of equal notoriety is Media Burn, Ant Farm's legendary 1975 performance, in which a radically customized Cadillac was driven through a wall of burning television sets. Media Burn: Ant Farm and the Making of an Image is a vibrant assessment of the complex set of cultural references and art-making strategies informing this collision of twentieth-century icons. -- Author Steve Seid (Berkeley Art Museum and Pacific Film Archive) probes the little-known critical backstory of this bold performance (and resulting video work) and its irreverent effort to mount a subversive critique of media hegemony while reimagining the core meaning of performance itself. -- Media Burn: Ant Farm and the Making of an Image examines car culture, image proliferation, and radical architectural practice, and offers a close read of Media Burn's numerous texts, speeches, ephemera, and artifacts."--Provided by publisher