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The complete woodcuts of Albrecht Dürer

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Albrecht Dürer excelled in various media, but his woodcut designs showcase his creative genius at its peak. This collection features over 300 of his extant woodcuts, including renowned works like the series on the Life of the Virgin, The Apocalypse of John (17 cuts), The Great Passion, St. Jerome in his Study, and The Fall of Icarus, among others. It serves as the sole source for many of these pieces. While sacred themes dominate—depicting the Holy Family, Christ's life, and saints—Dürer also explored diverse motifs, including portraits, book illustrations, coats of arms, and mythological themes. The plates are arranged chronologically, allowing readers to trace the evolution of Dürer's artistry, revealing an individualistic style and unparalleled skill. An introduction by Campbell Dodgson and a 34-page guide by Dr. Willi Kurth address the authenticity of each work, referencing key Dürer scholars and providing historical context from his apprenticeship in Nuremberg to his later works (1520-1528). The woodcuts are reproduced in exceptional detail, making this collection essential for art historians and critics, while also offering aesthetic enjoyment to lay readers.

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The complete woodcuts of Albrecht Dürer, Willi Kurth, Campbell Dobson, Albrecht Dürer

Langue
Année de publication
1963
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(souple)
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Titre
The complete woodcuts of Albrecht Dürer
Langue
Anglais
Publié
1963
Format
souple
ISBN10
0486210979
ISBN13
9780486210971
Séries
Évaluation
4,2 sur 5
Description
Albrecht Dürer excelled in various media, but his woodcut designs showcase his creative genius at its peak. This collection features over 300 of his extant woodcuts, including renowned works like the series on the Life of the Virgin, The Apocalypse of John (17 cuts), The Great Passion, St. Jerome in his Study, and The Fall of Icarus, among others. It serves as the sole source for many of these pieces. While sacred themes dominate—depicting the Holy Family, Christ's life, and saints—Dürer also explored diverse motifs, including portraits, book illustrations, coats of arms, and mythological themes. The plates are arranged chronologically, allowing readers to trace the evolution of Dürer's artistry, revealing an individualistic style and unparalleled skill. An introduction by Campbell Dodgson and a 34-page guide by Dr. Willi Kurth address the authenticity of each work, referencing key Dürer scholars and providing historical context from his apprenticeship in Nuremberg to his later works (1520-1528). The woodcuts are reproduced in exceptional detail, making this collection essential for art historians and critics, while also offering aesthetic enjoyment to lay readers.