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The Happy Reader - Issue 1

Auteurs

  • Collectif d'auteurs

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For avid readers and the uninitiated alike, this is a chance to reengage with classic literature and to stay inspired and entertained. The concept of the magazine is excitingly simple: the first half is a long-form interview with a notable book fanatic and the second half explores one Penguin Classics title from an array of surprising and invigorating angles, through fashion, art, lifestyle, history, film and more. The Happy Reader never patronizes, nor does it seek to baffle its audience with literary name-dropping or pedantry, wearing its bookish curiosity with a playful lightness of touch, delighting in the potential for whimsy and humour. The magazine is centred on the concept of 'precious print', as embodied by Penguin Classics and Fantastic Man. It explores the myriad advantages of the printed word and image: beautiful typography, high dwell time, the matte charm of ink on paper, the calming luxury of being 'offline'. The magazine is a design object in and of itself.

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The Happy Reader - Issue 1, Collectif d'auteurs

Langue
Année de publication
2014
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Titre
The Happy Reader - Issue 1
Langue
Anglais
Publié
2014
Format
agrafé
ISBN10
0241196507
ISBN13
9780241196502
Évaluation
4,4 sur 5
Description
For avid readers and the uninitiated alike, this is a chance to reengage with classic literature and to stay inspired and entertained. The concept of the magazine is excitingly simple: the first half is a long-form interview with a notable book fanatic and the second half explores one Penguin Classics title from an array of surprising and invigorating angles, through fashion, art, lifestyle, history, film and more. The Happy Reader never patronizes, nor does it seek to baffle its audience with literary name-dropping or pedantry, wearing its bookish curiosity with a playful lightness of touch, delighting in the potential for whimsy and humour. The magazine is centred on the concept of 'precious print', as embodied by Penguin Classics and Fantastic Man. It explores the myriad advantages of the printed word and image: beautiful typography, high dwell time, the matte charm of ink on paper, the calming luxury of being 'offline'. The magazine is a design object in and of itself.