Postdramatic Theatrical Signs in Contemporary British Playwrights

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Contemporary British Drama of the 20th and 21st centuries challenges traditional dramatic elements like character, story, and plot. This book explores the concept of Postdramatic Theatre through chapters that dissect subjects such as non-hierarchical structure, the absence of plot, and the redefinition of time, space, and media. It analyzes Hans Thies Lehmann's Postdramatic Theory and examines the works of notable playwrights including Martin Crimp, Simon Stephens, Sarah Kane, and Mark Ravenhill, highlighting their innovative approaches to theatre.