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Branigan effectively criticizes the communication model of narration, a task long overdue in Anglo-American circles. The book brings out the extent to which mainstream mimetic theories have relied upon the elastic notion of an invisible, idealized observer, a convenient spook whom critics can summon up whenever they desire to naturalize style. The book also makes distinctions among types of subjectivity; after this, we will have much more precise ways of tracing the fluctuations among a character's vision, dreams, wishes, and so forth. Branigan also explains the necessity of distinguishing levels of narration.
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Point of View in the Cinema, Edward Branigan
- Langue
- Année de publication
- 1984
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- (rigide)
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- Titre
- Point of View in the Cinema
- Langue
- Anglais
- Auteurs
- Edward Branigan
- Éditeur
- Mouton
- Publié
- 1984
- Format
- rigide
- ISBN10
- 9027930791
- ISBN13
- 9789027930798
- Séries
- Mots clés
- Nonfiction, Art / Culture, Thème historique, Thématique philosophique, Art, Photographie, Thématique cinématographique
- Évaluation
- 4,35 sur 5
- Description
- Branigan effectively criticizes the communication model of narration, a task long overdue in Anglo-American circles. The book brings out the extent to which mainstream mimetic theories have relied upon the elastic notion of an invisible, idealized observer, a convenient spook whom critics can summon up whenever they desire to naturalize style. The book also makes distinctions among types of subjectivity; after this, we will have much more precise ways of tracing the fluctuations among a character's vision, dreams, wishes, and so forth. Branigan also explains the necessity of distinguishing levels of narration.