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Camille Pissarro is perhaps best known for the landscape paintings of his early career, yet in the final decade of his life (1893-1903) he began to depict urban scenes and his paintings from this period, of Paris, Rouen and the busy ports of Dieppe and Le Havre formed an important component of his artistic output. At this time Pissarro, like Monet, started to work on canvases in series, ofthen pointing several simultaneously and discarding one temporarily when the light, the weather or his mood altered. He started all of them at the scene and worked with extraordinary speed and deftness.
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The Impressionist and the City, Joachim Pissarro, Richard R. Brettell
- Langue
- Année de publication
- 1992
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- (souple)
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- Titre
- The Impressionist and the City
- Sous-titre
- Pissarro's Series
- Langue
- Anglais
- Auteurs
- Joachim Pissarro, Richard R. Brettell
- Éditeur
- Yale University Press
- Publié
- 1992
- Format
- souple
- Pages
- 288
- ISBN10
- 0300054467
- ISBN13
- 9780300054460
- Séries
- Mots clés
- Nonfiction, Art / Culture, Thème historique, Art, Architecture, Architecture et urbanisme, Catalogues d'expositions, 20e siècle, 19e siècle, Histoire et théorie de l’art, Histoire de l'art, Impressionnisme
- Évaluation
- 4,35 sur 5
- Description
- Camille Pissarro is perhaps best known for the landscape paintings of his early career, yet in the final decade of his life (1893-1903) he began to depict urban scenes and his paintings from this period, of Paris, Rouen and the busy ports of Dieppe and Le Havre formed an important component of his artistic output. At this time Pissarro, like Monet, started to work on canvases in series, ofthen pointing several simultaneously and discarding one temporarily when the light, the weather or his mood altered. He started all of them at the scene and worked with extraordinary speed and deftness.