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Screening Culture, Viewing Politics

An Ethnography of Television, Womanhood, and Nation in Postcolonial India

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  • 448pages
  • 16 heures de lecture

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In Screening Culture, Viewing Politics, Purnima Mankekar presents an ethnography of television-viewing in India, focusing on the responses of upwardly-mobile, lower-to-middle class urban women to state-sponsored entertainment serials. Mankekar illustrates how television has significantly influenced women's roles within the family, community, and nation, impacting class, caste, consumption, religion, and politics. She analyzes both entertainment narratives and advertisements that convey specific national ideas, organizing her study around themes such as Indian womanhood, family, community, historical memory, development, integration, and violence. Mankekar dissects the messages broadcasted and her subjects' perceptions and reactions, revealing the complexities of their daily lives, social relationships, and practices. She remains aware of the historical and political context in which these integrationalist messages are shared, the cultural diversity of the audience, and her role as an ethnographer. An enlightening epilogue discusses the impact of satellite television and transnational programming in the 1990s. Through its rich ethnographic and theoretical insights, this work prompts a reexamination of the connections between mass media, social life, and identity formation in non-Western settings, making a significant contribution to various fields, including media studies, feminist studies, anthropology, South Asian studies, an

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Screening Culture, Viewing Politics, Purnima Mankekar

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Année de publication
1999
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Titre
Screening Culture, Viewing Politics
Sous-titre
An Ethnography of Television, Womanhood, and Nation in Postcolonial India
Langue
Anglais
Publié
1999
Format
souple
Pages
448
ISBN10
0822323907
ISBN13
9780822323907
Séries
Description
In Screening Culture, Viewing Politics, Purnima Mankekar presents an ethnography of television-viewing in India, focusing on the responses of upwardly-mobile, lower-to-middle class urban women to state-sponsored entertainment serials. Mankekar illustrates how television has significantly influenced women's roles within the family, community, and nation, impacting class, caste, consumption, religion, and politics. She analyzes both entertainment narratives and advertisements that convey specific national ideas, organizing her study around themes such as Indian womanhood, family, community, historical memory, development, integration, and violence. Mankekar dissects the messages broadcasted and her subjects' perceptions and reactions, revealing the complexities of their daily lives, social relationships, and practices. She remains aware of the historical and political context in which these integrationalist messages are shared, the cultural diversity of the audience, and her role as an ethnographer. An enlightening epilogue discusses the impact of satellite television and transnational programming in the 1990s. Through its rich ethnographic and theoretical insights, this work prompts a reexamination of the connections between mass media, social life, and identity formation in non-Western settings, making a significant contribution to various fields, including media studies, feminist studies, anthropology, South Asian studies, an