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American Studies - 108: Iconographies of Power

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  • 347pages
  • 13 heures de lecture

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The contemporary question of iconography has gained urgency, addressing the politics and poetics of visual representation within specific historical and cultural contexts. This inquiry transcends traditional boundaries, urging a critical comparison of the iconographies of words and images as cultural practices of power. The essays in this volume explore the iconographical power and poetics of various visual representations, including prints, paintings, sculptures, concept art, photography, film, and digital imagery. Each contribution emphasizes the image as a visual and contextual event, highlighting its role in the interplay between word and image. The collected works examine how these representations serve as both sources and targets of iconographic practices, reflecting broader cultural dynamics. The volume features diverse perspectives from contributors such as Winfried Fluck, Mario Klarer, Mick Gidley, and others, all united in their exploration of contemporary iconography. They collectively delve into the significance of images as interconnected phenomena, revealing the complexities of visual representation in today's cultural landscape.

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American Studies - 108: Iconographies of Power, Ulla D. Haselstein, Berndt Ostendorf, Peter Schneck

Langue
Année de publication
2003
Reliure
(rigide),
État du livre
Bon
Prix
15,99 €

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Titre
American Studies - 108: Iconographies of Power
Langue
Anglais
Publié
2003
Format
rigide
Pages
347
ISBN10
3825315339
ISBN13
9783825315337
Séries
Catégories
Description
The contemporary question of iconography has gained urgency, addressing the politics and poetics of visual representation within specific historical and cultural contexts. This inquiry transcends traditional boundaries, urging a critical comparison of the iconographies of words and images as cultural practices of power. The essays in this volume explore the iconographical power and poetics of various visual representations, including prints, paintings, sculptures, concept art, photography, film, and digital imagery. Each contribution emphasizes the image as a visual and contextual event, highlighting its role in the interplay between word and image. The collected works examine how these representations serve as both sources and targets of iconographic practices, reflecting broader cultural dynamics. The volume features diverse perspectives from contributors such as Winfried Fluck, Mario Klarer, Mick Gidley, and others, all united in their exploration of contemporary iconography. They collectively delve into the significance of images as interconnected phenomena, revealing the complexities of visual representation in today's cultural landscape.