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Fantastic Women

Surreal Worlds from Meret Oppenheim to Louise Bourgeois

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Founded by French writer André Breton in 1924, surrealism emerged as a cultural movement that challenged the imagination through visual art and literature. While often associated with prominent male figures like Salvador Dali and Rene Magritte, many talented women artists have been overlooked. This work seeks to illuminate the contributions of female surrealists, presenting a vital perspective on this avant-garde movement. Although many women were seen merely as partners or models within Breton's circle, they played significant roles that have been historically minimized. Male surrealists often depicted women in stereotypical roles—goddesses, she-devils, or nymphets—while their female counterparts explored the complexities of gender roles and societal expectations. Their art critiqued the female image and sought to redefine women's identities for future generations. In true surrealist fashion, this work showcases their imaginative engagement with themes such as politics, literature, and mythology. Featuring 350 color plates, it highlights a diverse array of artworks, including paintings, drawings, photography, and films, making a compelling case for the recognition and celebration of the surreal and innovative contributions of women artists in the avant-garde movement.

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Fantastic Women, Ingrid Pfeiffer

Langue
Année de publication
2020
Reliure
(rigide)
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Titre
Fantastic Women
Sous-titre
Surreal Worlds from Meret Oppenheim to Louise Bourgeois
Langue
Anglais
Éditeur
Hirmer
Publié
2020
Format
rigide
Pages
420
ISBN10
3777434140
ISBN13
9783777434148
Séries
Description
Founded by French writer André Breton in 1924, surrealism emerged as a cultural movement that challenged the imagination through visual art and literature. While often associated with prominent male figures like Salvador Dali and Rene Magritte, many talented women artists have been overlooked. This work seeks to illuminate the contributions of female surrealists, presenting a vital perspective on this avant-garde movement. Although many women were seen merely as partners or models within Breton's circle, they played significant roles that have been historically minimized. Male surrealists often depicted women in stereotypical roles—goddesses, she-devils, or nymphets—while their female counterparts explored the complexities of gender roles and societal expectations. Their art critiqued the female image and sought to redefine women's identities for future generations. In true surrealist fashion, this work showcases their imaginative engagement with themes such as politics, literature, and mythology. Featuring 350 color plates, it highlights a diverse array of artworks, including paintings, drawings, photography, and films, making a compelling case for the recognition and celebration of the surreal and innovative contributions of women artists in the avant-garde movement.