Paramètres
- 126pages
- 5 heures de lecture
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This portfolio of 160 stunning photographs, drawn from the Aran Islands since the early 1960s, chronicles and records the daily life of the their seasons, harvests and festivities; their schooling, religion and politics; their fishing, folkways and pastimes. Photographic sequences depict events in the Aran year – St Bridget’s Eve (1 February) and St John’s Eve (11 June), the blessing of the currachs, the cead (a form of hurling) – and portraits of the Aran poets, Sean Keating the painter, and the coffin-makers of Inis Meain. These timeless, crystalline images by a master-photographer reconstitute and preserve a unique, largely vanished way of life in the most majestic of settings on Ireland’s western seaboard. An introductory essay, ‘The Light before the Bill Doyle, Photographer’, by broadcaster and documentary film-maker Muirís Mac Conghail, accompanies the photographs.
Achat du livre
The Aran Islands, Bill Doyle, Mairin Mac Conghail
- Langue
- Année de publication
- 1999
- Reliure
- (rigide),
- État du livre
- Bon
- Prix
- 11,49 €
Modes de paiement
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- Titre
- The Aran Islands
- Sous-titre
- Another World: Introductory Essay by Mairin Mac Conghail
- Langue
- Anglais
- Auteurs
- Bill Doyle, Mairin Mac Conghail
- Éditeur
- The Lilliput Press
- Publié
- 1999
- Format
- rigide
- Pages
- 126
- ISBN10
- 1901866157
- ISBN13
- 9781901866155
- Séries
- Catégories
- Mots clés
- Thème historique, Culture et Société, Irlande, Histoire sociale
- Description
- This portfolio of 160 stunning photographs, drawn from the Aran Islands since the early 1960s, chronicles and records the daily life of the their seasons, harvests and festivities; their schooling, religion and politics; their fishing, folkways and pastimes. Photographic sequences depict events in the Aran year – St Bridget’s Eve (1 February) and St John’s Eve (11 June), the blessing of the currachs, the cead (a form of hurling) – and portraits of the Aran poets, Sean Keating the painter, and the coffin-makers of Inis Meain. These timeless, crystalline images by a master-photographer reconstitute and preserve a unique, largely vanished way of life in the most majestic of settings on Ireland’s western seaboard. An introductory essay, ‘The Light before the Bill Doyle, Photographer’, by broadcaster and documentary film-maker Muirís Mac Conghail, accompanies the photographs.