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Twentieth-Century Poetry and the Visual Arts

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  • 274pages
  • 10 heures de lecture

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The emergence of photography and film in the twentieth century helped to create a shift from a culture of words to a culture of images. Since then, the question of how literature engages the visual arts has become a key question for literary studies. This extended treatment of the poetic representation of visual art examines a wide range of figures, from W. B. Yeats and Marianne Moore to Anne Sexton and Ted Hughes. Elegantly and persuasively written, the study also contains a rich sample of images that allows readers to see the same works these poets were addressing. By investigating the complex, changing relations between twentieth-century poetry, visual art and audience, it considers the way in which poetic responses to visual art place the lyric firmly within the social world. For those interested in the interplay between poetry and visual art, this will be essential reading.

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Twentieth-Century Poetry and the Visual Arts, Elizabeth Bergmann Loizeaux

Langue
Année de publication
2011
Reliure
(souple)
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Titre
Twentieth-Century Poetry and the Visual Arts
Langue
Anglais
Publié
2011
Format
souple
Pages
274
ISBN10
0521180201
ISBN13
9780521180207
Séries
Catégories
Description
The emergence of photography and film in the twentieth century helped to create a shift from a culture of words to a culture of images. Since then, the question of how literature engages the visual arts has become a key question for literary studies. This extended treatment of the poetic representation of visual art examines a wide range of figures, from W. B. Yeats and Marianne Moore to Anne Sexton and Ted Hughes. Elegantly and persuasively written, the study also contains a rich sample of images that allows readers to see the same works these poets were addressing. By investigating the complex, changing relations between twentieth-century poetry, visual art and audience, it considers the way in which poetic responses to visual art place the lyric firmly within the social world. For those interested in the interplay between poetry and visual art, this will be essential reading.