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Changing the Story

Feminist Fiction and the Tradition

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  • 302pages
  • 11 heures de lecture

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This book provides a well-informed exploration of the varying attitudes toward feminism and feminist literature across American, Canadian, British, and French contexts. It emphasizes the transformative power of literature, reminding readers of its potential to effect personal change. The author's clear and precise analysis contributes significantly to the feminist discourse surrounding narrative, particularly among Anglo/Canadian/white North American novelists. By examining how feminist writers engage with traditional narrative structures, the book highlights the critical implications of their work for social change and presents an intelligent post-humanist perspective that values the social meanings embedded in metafictional critique. Additionally, it serves as an invaluable guide to the feminist classics of the past three decades, characterized by engaged and politically astute cultural criticism. The narrative traces the emergence and evolution of feminist fiction from the 1960s to the 1980s, focusing on notable authors like Doris Lessing, Margaret Drabble, Margaret Atwood, and Margaret Laurence. It also raises concerns about the future of feminist literature in the context of a regressive "post-feminism" era, ensuring that the discussion remains relevant and provocative within the feminist community.

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Changing the Story, Gayle Greene

Langue
Année de publication
1991
Reliure
(souple)
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Titre
Changing the Story
Sous-titre
Feminist Fiction and the Tradition
Langue
Anglais
Publié
1991
Format
souple
Pages
302
ISBN10
0253206723
ISBN13
9780253206725
Séries
Description
This book provides a well-informed exploration of the varying attitudes toward feminism and feminist literature across American, Canadian, British, and French contexts. It emphasizes the transformative power of literature, reminding readers of its potential to effect personal change. The author's clear and precise analysis contributes significantly to the feminist discourse surrounding narrative, particularly among Anglo/Canadian/white North American novelists. By examining how feminist writers engage with traditional narrative structures, the book highlights the critical implications of their work for social change and presents an intelligent post-humanist perspective that values the social meanings embedded in metafictional critique. Additionally, it serves as an invaluable guide to the feminist classics of the past three decades, characterized by engaged and politically astute cultural criticism. The narrative traces the emergence and evolution of feminist fiction from the 1960s to the 1980s, focusing on notable authors like Doris Lessing, Margaret Drabble, Margaret Atwood, and Margaret Laurence. It also raises concerns about the future of feminist literature in the context of a regressive "post-feminism" era, ensuring that the discussion remains relevant and provocative within the feminist community.