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Lewis Bush

    Bath House Nights
    Shadows of the state
    Metropole
    • London, once known as the 'Metropole', was the mother city at the heart of a vast empire which at its peak encompassed a quarter of all land on the planet. Its maternal name belied a profoundly hierarchical and unequal relationship with power radiating outwards from the urban heart, and territorial riches feeding back in return. The British Empire has long since collapsed but in its place has risen a new world power; globalised capitalism. London -- rebranded an 'investment opportunity' -- is now a city of continuous demolition, shifting cranes, and glittering new high rises. "Metropole" is a document of the brutal uprooting of London's foundations at the hands of corporate developers, for the benefit of wealthy investors and absentee property speculators. In the wake of aggressive high-end development, genuinely affordable housing has diminished and residents of London are pushed ever further out from the core. Photographed over dozens of winter nights spent wandering through the escalating city, "Metropole" records the dizzying effects of a capital influx on London. The frameworks of luxury residential towers are documented during construction, and the use of double exposures layers building upon building. This proliferating tangle mirrors the threatening scale of alteration in the city. Perspective and orientation are lost in the process, emulating the sense of loss that many Londoners now feel. -- publisher's statement

      Metropole
    • The Cold War ended in 1991, but echoes of it can still be heard today. One example of this are numbers stations, short wave radio broadcasts of coded messages, believed to be intended for undercover agents in enemy states. Despite originating in the darkest days of the last century these transmissions continue today, with broadcasts occurring daily from countries including Russia, Cuba, and North Korea. Shadows of the State is a photographic project by Lewis Bush which investigates these mysterious broadcasts and attempts to locate the likely transmitter sites of thirty of these stations. These sites are then mapped using high resolution satellite imagery and displayed alongside radio spectrograms, audio recordings, and extensive information about each station.

      Shadows of the state