All the music from Einaudi's autobiographical fourth album. Includes the tracks with solo Cello. The composer If someone asked me about this album, I would say it is a collection of songs linked together by a story. But unlike m
(Piano). This matching folio to Einaudi's 2022 recorded Decca album Underwater features 12 new Luminous * Rolling Like a Ball * Indian Yellow * Flora * Natural Light * Almost June * Swordfish * Wind Song * Atoms * Temple White * Nobody Knows * Underwater.
The music to the popular album from the contemporary Milanese composer. The composer writes Eden Roc is the name of a place in the south coast of France where the writer Francis Scott Fitzgerald lived and where he located the beginning of his novel ´Tender is the night´. From that book I partially took the inspiration for Eden Roc, as well as the name itself recall me the idea of an ideal place where you can find your inner balance in the world. Due Tramonti Exit Fuori Dal Mondo Fuori Dalla Notte Giorni Dispari Julia Nefeli Password Un Mondo AParte
(Music Sales America). This exclusive folio presents 20 of Ludovico Einaudi's most popular piano works in special arrangements matched to the grade criteria of the major examination boards. Designed as a progressive course for intermediate players, Einaudi's pieces have been adapted to make them accessible to students, while retaining their unique beauty. Each piece is preceded by companion exercises which focus on specific techniques or musical ideas, and this book is further augmented by SoundCheck* software which provides digital support, accessible on any device, to enhance your practice. With a specially written preface by the composer, this inspirational collection brings the joy of playing Einaudi's music to pianists of Grade 3-5 level. *SoundCheck is powered by Match My Sound
(Piano). These three piano compositions are bonus tracks on the deluxe album package for Einaudi's Underwater , now available in this supplemental print edition: 85mm * Adieux * The Tree
Among capitals created ex nihilo, Naypyitaw, Myanmar’s seat of government since 2005, is particularly unique. Sociologist Heinz Schütte and photographer Wolfgang Bellwinkel focus their study on the new capital within Myanmar’s historical continuum and the political circumstances surrounding its establishment. Their work, launched in Yangon in January, explores the regime’s perception of its role in the multi-ethnic state and its efforts to maintain military dominance amid a fragile democratic opening. They question whether the imposing spatial layout and dissociative architectural forms of Naypyitaw can adapt to a future society characterized by pluralism and civic participation. Through essays and photographs, they analyze the settlement structure and seek deeper meanings beneath its surface. The interpretation reflects the perspectives of two outsiders, drawing comparisons to European and Asian urban designs that they find lacking in Naypyitaw. Nevertheless, they argue that the capital's logic can be traced back to Myanmar’s ethnic and religious policies since the empire's first unification under King Anawrahta in the 11th century.
