Focusing on two significant compositions by Schoenberg, this handbook synthesizes recent research to illuminate the modernist aesthetics central to his musical philosophy. It explores how Schoenberg's work played a vital role in the broader context of early twentieth-century modernism across the arts, showcasing music's influence on this transformative period.
Synthesising and refocusing the wealth of recent research into two of Schoenberg's major compositions and highlighting modernist aesthetics that remained fundamental to Schoenberg's musical thought, this handbook reveals how music became a crucial contributor to early twentieth-century modernism in the arts.
Exploring the influence of Benjamin Britten on contemporary British composers, this collection features revised essays and analyses from 1995 to 2018. It highlights how figures like Harrison Birtwistle and Thomas Adès, while differing in style, navigate their musical identities against Britten's legacy. Despite their claims of independence, the enduring impact of Britten on British music institutions and culture is evident, making the discussion of 'British music after Britten' rich and complex. Arnold Whittall, a noted authority on twentieth-century music, provides insightful commentary throughout.
A clear, non-technical introduction to serialism - a key topic in music studies for both undergraduate and graduate students.
The book delves into the music of key twentieth-century composers, including Debussy, Schoenberg, and Stravinsky, among others. Arnold Whittall examines the cultural contexts and critical viewpoints that illuminate their works. He highlights the interplay between progressive and conservative elements, showcasing the diverse styles and genres that characterize twentieth-century composition. Through this exploration, the study offers a deeper understanding of the complexities within modern music.