This book offers a comparative analysis of Polish Futurists within the European avant-garde context, exploring their works alongside Dadaism and Futurism. It examines themes of musicality, word formation, onomatopoeia, and concepts like glossolalia, focusing on sound and semantic experimentation.
This monograph explores the Polish history of haiku and its related forms in literature and visual arts. It contrasts Polish works with Japanese poetry and haiku-inspired pieces from Europe and America, while addressing literary genre theory and translation issues. The discussion offers a unique perspective on a century of Polish poetry and its interplay with visual arts.