Jon McGregor est un auteur britannique dont les œuvres explorent les complexités des relations humaines et le pouvoir tranquille des moments quotidiens. Sa prose se caractérise par une observation aiguë et une précision poétique, abordant souvent des thèmes tels que la mémoire, la perte et la recherche de connexion au sein de vies apparemment ordinaires. Le style distinctif de McGregor entraîne les lecteurs dans les profondeurs de l'expérience humaine, où des événements banals se déroulent avec une résonance émotionnelle inattendue. Sa contribution littéraire réside dans sa capacité à trouver un sens profond dans les recoins silencieux de la vie.
A WHITE REVIEW BOOK OF THE YEAR 'A genuine masterpiece' Observer 'Spectacular' Maggie O'Farrell 'The most gripping piece of writing I've read in a long time: Sit. Read. Applaud' Jarvis Cocker 'It leaves the reader moved and subtly changed, as if she had become part of the story' Hilary Mantel
Midwinter in the early years of this century. A girl on holiday has gone missing in the hills at the heart of England. The villagers are called up to join the search, fanning out as the police set up roadblocks and a crowd of reporters descends. But the aftershocks of Becky's disappearance have origins long before then, and those in the village have losses, and secrets, and stories of their own.
Midwinter in the early years of this century. A teenage girl on holiday has gone missing in the hills at the heart of England. The villagers are called up to join the search, fanning out across the moors as the police set up roadblocks and a crowd of news reporters descends on their usually quiet home. Meanwhile, there is work that must still be done: cows milked, fences repaired, stone cut, pints poured, beds made, sermons written, a pantomime rehearsed. The search for the missing girl goes on, but so does everyday life. As it must. As the seasons unfold there are those who leave the village and those who are pulled back; those who come together or break apart. There are births and deaths; secrets kept and exposed; livelihoods made and lost; small kindnesses and unanticipated betrayals. Bats hang in the eaves of the church and herons stand sentry in the river; fieldfares flock in the hawthorn trees and badgers and foxes prowl deep in the woods - mating and fighting, hunting and dying. Bats hang in the eaves of the church and herons stand sentry in the river; fieldfares flock in the hawthorn trees and badgers and foxes prowl deep in the woods - mating and fighting, hunting and dying. An extraordinary novel of cumulative power and grace, Reservoir 13 explores the rhythms of the natural world and the repeated human gift for violence, unfolding over thirteen years as the aftershocks of a stranger's tragedy refuse to subside.
From the Booker-nominated author of If Nobody Speaks of Remarkable Things and So Many Ways to Begin A TV Book Club selection
Coventry Museum curator David Carter - a man driven constantly to seek the thrill of old stories made new - cannot help but wish for more- that his wife would still be the ambitious and sparkling Scottish girl he once found so irresistible, that his job could live up to the promise it once held, that his daughter's arrival will bring her parents closer together. But Auntie Julia's careless words years earlier have left David restless with the knowledge that his whole life has been constructed around an untruth. And so he attempts to begin anew, cataloguing the joys and disappointments, the migrations and arrivals, the intersecting lives around him. Because once, long ago, a young Irish girl called Mary Friel arrived in war-time London an innocent and left carrying a shame; a shame she still hopes can be diminished by a knock at the door of her Donegal home. There are so many ways to begin, and to live; so many ways to love, and to not love, and to end. Against the backdrop of post-WW2 Britain, Jon McGregor's lyrical, intimate novel explores what happens when our lives fail to take the turns we expect, and the ways we learn to let go of the people we might have been.
Risky in conception, hip and yet soulful, this is a prose poem of a novel -- intense, lyrical, and highly evocative -- with a mystery at its center, which keeps the reader in suspense until the final page. In a tour de force that could be described as Altmanesque, we are invited into the private lives of the residents of a quiet urban street in England over the course of a single day. In delicate, intricately observed closeup, we witness the hopes, fears, and unspoken despairs of a diverse community: the man with painfully scarred hands who tried in vain to save his wife from a burning house and who must now care for his young daughter alone; a group of young club-goers just home from an all-night rave, sweetly high and mulling over vague dreams; the nervous young man at number 18 who collects weird urban junk and is haunted by the specter of unrequited love. The tranquility of the street is shattered at day's end when a terrible accident occurs. This tragedy and an utterly surprising twist provide the momentum for the book. But it is the author's exquisite rendering of the ordinary, the everyday, that gives this novel its freshness, its sense of beauty, wonder, and hope. Rarely does a writer appear with so much music and poetry -- so much vision -- that he can make the world seem new.