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Miles Davis

    26 mai 1926 – 28 septembre 1991

    Miles Davis fut un trompettiste, chef d'orchestre et compositeur de jazz américain qui a profondément influencé la musique du XXe siècle. Il fut à l'avant-garde de presque toutes les évolutions majeures du jazz, du bebop et du cool jazz au jazz modal et au jazz fusion. Sa plus grande réussite ne résida pas seulement dans son propre style instrumental distinctif, mais dans sa capacité inégalée à façonner des mouvements musicaux entiers à travers les musiciens qu'il dirigea, dont beaucoup devinrent des légendes à part entière.

    Miles Davis
    Miles Autobiografia
    What Is Your Rashi?
    Duende
    Miles
    • Miles

      • 421pages
      • 15 heures de lecture
      4,2(14446)Évaluer

      For more than forty years Miles Davis has been in the front rank of American music. Universally acclaimed as a musical genius, Miles is one of the most important and influential musicians in the world. The subject of several biographies, now Miles speaks out himself about his extraordinary life.Miles: The Autobiography, like Miles himself, holds nothing back. For the first time Miles talks about his five-year silence. He speaks frankly and openly about his drug problem and how he overcame it. He condemns the racism he has encountered in the music business and in American society generally. And he discusses the women in his life. But above all, Miles talks about music and musicians, including the legends he has played with over the years: Bird, Dizzy, Monk, Trane, Mingus, and many others.The man who has given us some of the most exciting music of the past few decades has now given us a compelling and fascinating autobiography, featuring a concise discography and thirty-two pages of photographs.

      Miles
    • Duende

      • 496pages
      • 18 heures de lecture
      3,9(8)Évaluer

      Quincy Troupe writes poetry in great waves, where words serve as notes and the music created with them is paramount. He is not merely a wordsmith but a shaman conjuring long, repetitive lines that reflect on the sea towards Africa, haunted by slavery and racism's legacy. His work celebrates fellow poets and artists while expressing a deep longing to reconnect with the past and a desire to break free from it. In "Ghost Voices," an incantatory fifty-page poem, this yearning is palpable. The title poem, "Duende: For García Lorca and Miles Davis," reveals Troupe's credo: "...secrets, mystery infused in black magic / that enters bodies in forms of music, art / poetry imbuing language with sovereignty / in blood spooling back through violent centuries..." The version of "Avalanche (number 3)" included here differs from its earlier iteration, much like a jazz artist reinterpreting a familiar tune. Troupe's generous spirit shines through in this expansive collection, featuring new poems alongside selections from his eleven previous volumes. His work maintains a remarkable energy, as he engages with the present while also perceiving distant storms on the horizon—challenges we will soon need to confront.

      Duende
    • W Autobiografii Davis opowiada o muzyce i muzykach, również legendach, z którymi miał okazję wystąpić. Mówi o problemach narkotykowych i ich przezwyciężeniu. Potępia rasizm, którego doświadczył w biznesie i amerykańskim społeczeństwie. Wypowiada się o miłości oraz kobietach i ich roli w jego życiu.

      Miles Autobiografia