Alexandra Popoff Livres

The definitive biography of Soviet Jewish dissident writer Vasily Grossman If Vasily Grossman’s 1961 masterpiece, Life and Fate, had been published during his lifetime, it would have reached the world together with Pasternak’s Doctor Zhivago and before Solzhenitsyn’s Gulag. But Life and Fate was seized by the KGB. When it emerged posthumously, decades later, it was recognized as the War and Peace of the twentieth century. Always at the epicenter of events, Grossman (1905–1964) was among the first to describe the Holocaust and the Ukrainian famine. His 1944 article “The Hell of Treblinka” became evidence at Nuremberg. Grossman’s powerful anti‑totalitarian works liken the Nazis’ crimes against humanity with those of Stalin. His compassionate prose has the everlasting quality of great art. Because Grossman’s major works appeared after much delay we are only now able to examine them properly. Alexandra Popoff’s authoritative biography illuminates Grossman’s life and legacy.

Sophia Tolstoy, married to the renowned author Leo Tolstoy for nearly five decades, was both celebrated as his muse and criticized for her dissenting views. While initially admired for her support, she faced scorn as Leo gained prominence and developed his own religious beliefs. This narrative often portrays her as a contentious figure, overshadowing her contributions and complexities. The book explores her true character and the dynamics of their tumultuous relationship, challenging the historical perception of Sophia.

Many readers may know that such writers as F. Scott Fitzgerald, James Joyce and D.H. Lawrence used their marriages for literary inspiration and material. In Russian literary marriages, these women did not resent taking a secondary position, although to call their position secondary does not do justice to the vital role these women played in the creation of some of the greatest literary works in history. From Sofia Tolstoy to Vera Nabokov and Elena Mandelshtam and Natalya Solzhenitsyn, these women ranged from stenographers and typists to editors, researchers, translators, and even publishers. Living under restrictive regimes, many of these women battled censorship and preserved the writers’ illicit archives, often risking their own lives to do so. They established a tradition all their own, unmatched in the West.Many of these women, like Vera and Sofia, were the writers’ intellectual companions and willingly contributed to the creative process—they commonly used the word “we” to describe the progress of their husbands’ work. And their husbands knew it too. Leo Tolstoy made no secret of Sofia’s involvement in War and Peace, and Vladimir Nabokov referred to Vera as his own “single shadow.”