Ute Eskildsen Livres

The ever-growing Olbricht collection, located in Essen, Germany, has become one of the world's largest stockpiles of contemporary work--and, given its size, one of the least known. Rockers Island presents a representative selection of the works that collector Thomas Olbricht has been gathering over the last 15 years. These paintings, sculptures, photographs and installations come from artists as diverse as Diane Arbus, Stephan Balkenhol, Joseph Beuys, Maurizio Cattelan, Peter Doig, Andreas Gursky, Damien Hirst, Sarah Lucas, Elizabeth Peyton, Richard Prince, Daniel Richter, Ed Ruscha, Norbert Schwontkowski and Cindy Sherman. Rockers Island offers several different artistic and chronological approaches to the material, clearing fresh views, constructing innovative constellations and posing new questions for contemporary art. This richly illustrated volume provides insight into a fascinating collection.

Book by Auerbach, Ellen, Ammann, Jean-Christophe, Schubert, Renate

Robert Frank not only ranks among the most important of living photographers but is also widely recognized as a seminal figure in the development of experimental cinema. And yet, the continuity and consistency of his work in both photography and film has been barely explored. "Hold still-keep going" fills this obvious void by illustrating and analyzing the underlying aesthetics that have guided Frank's work in both media. From the very outset of his career, Frank distrusted the single photographic image and its claim to freeze moments of time and again he gravitated to the moving image and serial photography, be it in book form or as a panel of photographs. Reproducing more than 100 collages, film stills and serial works, this volume will certainly become a new standard publication on Robert Frank, innovative photographer and experimental filmmaker. The book also contains an illustrated bibliography and biography featuring dozens of previously unpublished images of Robert Frank, his family and his friends. Published in conjunction with a major traveling exhibition, this is an essential addition to all photography and film collections.

Man beholds in the animal a part of himself and a proxy in his relation to the world; his art portrays them alternately as true friends, tools, dignified beings and monstrous beasts. There are innumerable occasions to photograph animals, for research and as trophies, to document the creatures one has grown fond of or has killed, to arouse emotions or to create a work of art. The Photographed Animal presents images from the medium's beginnings up to the present in a depth and variety never seen in one place before, each reflecting the circumstances in which it was made, whether a nineteenth century big-game hunt or a twenty-first century cat food commercial. This unique selection brings together work from the daguerreotype to modern publicity photographs, from amateur snapshots to the work of celebrated photographers including William Eggleston, Elliot Erwitt, Garry Winogrand and many others.

The street allows photographers to conceal cameras and catch subjects unaware, in informal settings. By contrast, the studio permits both photographers and subjects to present carefully composed images to the world through elaborate staging and technical tricks. In recent years, with celebrities posing in the street and the studio being used for more informal, intimate shots, both traditions have undergone a transformation. This stunning collection features many of the greatest street hotographers of all time―Atget, Brassai, Cartier-Bresson, Arbus, Frank, as well as studio-based artists such as Carlo Ponti, Edward Steichen, Richard Avedon, Annie Leibovitz, and Jurgen Teller. Street and Studio provides a revealing look at the history of photography through the contrasts and tensions between these two traditions. Insightful and engaging essays by leading critics explore how the images these photographers have produced have conditioned the way we see both the modern city and ourselves.

"This important volume features numerous previously unpublished photographs taken by Steinert in Paris between 1948 and 1956. Containing an essays by photographer and writer Florian Ebner, it reveals key developments in Steinert's unique and influential language."--Publisher's description

Photographyi& photographs.

Includes interviews with the photographers Ute Eskildsen, Verena von Gagern, André Gelpke, Ralph Gibson, Erika Kiffl, Pier Paolo Preti.