Angela Bulloch Ordre des livres (chronologique)

The work of Angela Bulloch (*1966, Rainy River, Canada, currently based in Berlin) spans many media, manifesting her interest in systems, patterns and rules, as well as her preoccupation with the history of shapes and human interaction. Since 2014, a new series of sculptures have taken the logic of geometry one step further into a virtual space where computers perform calculations and gravity relinquishes its usual limitations. The sculptures emerge from this process with an uncanny virtual appearance, as if they have been beamed into the room. Transporting the virtual further into the real, for The Wired Salutation, Bulloch collaborated with the composer and musician David Grubbs to create a live, music theater piece involving musicians with their avatars, video projection, and theater lighting. Besides in-depth documentation of the performance, sculptures, prints, wall paintings and other works, the publication includes texts by David Grubbs and Alexander Provan as well as a conversation with the artist and interactive links to music samples from The Wired Salutation.

Was verbindet Presse und Bildende Kunst? Wie beeinflusst die Zeitung unsere Gesellschaft? Wie gehen Künstler mit diesem Medium um? Und welche gegenseitige Einflussname existiert zwischen Kunst und Zeitung? Auf diese spannenden Fragen gibt der opulente Band „Art and Press“ ausführliche Antworten. Bildreich und detailgenau beleuchtet der Katalog die faszinierenden Positionen von namhaften Gegenwartskünstlern wie Christian Boltanski, Andreas Gursky, Eberhard Havekost, Anselm Kiefer, Barbara Kruger, Rirkrit Tiranvanija, Daniel Richter, Gerhard Richter, Franz West und vielen anderen. Ein historischer Überblick bis ins frühe 19. Jahrhundert – zu sehen sind Werke von Honoré Daumier, Paul Cézanne, Pablo Picasso, Max Beckmann und anderen – rundet das bis heute aktuelle Thema gelungen ab.

With a mix of irreverence and sincerity, artists John Baldessari and Meg Cranston here tackle nothing less than the question of God. Acting as curators, they have invited 100 artists to respond to one of art's most enduring picturing the divine. The artists selected are those whose work the curators know and admire, those who possess the sense of humor and audacity necessary for such a project, or artists who are "likely to surprise." The works in this exhibition explore many different themes, including miracles, divine intervention, baptism, heaven, martyrdom, and the search for enlightenment. Included is one work by each of the 100 artists--primarily drawings, photographs, and paintings, along with a few sculptures and single-channel videos--some of them made in response to the curators' call for participation. Represented artists include Reverend Ethan Acres, Eleanor Antin, Chris Burden, Sam Durant, Jimmie Durham, Nicole Eisenman, Katharina Fritsch, Liam Gillick, Jack Goldstein, Scott Grieger, Rebecca Horn, Christian Jankowski, Mike Kelley, Mary Kelly, Martin Kippenberger, Louise Lawler, Roy Lichtenstein, Rita McBride, Paul McCarthy, Catherine Opie, Tony Oursler, Jorge Pardo, Raymond Pettibon, Paul Pfeiffer, Richard Prince, Rob Pruitt & Jonathan Horowitz, Gerhard Richter, Susan Rothenberg, Ed Ruscha, Gary Simmons, Lawrence Weiner, James Welling and Franz West.