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Directing

Film Techniques and Aesthetics - Second Edition

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  • 512pages
  • 18 heures de lecture

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* A practical and comprehensive manual that dissolves the barriers between the aesthetic and the technical * Common sense theory of film derived from everyday perceptual experience. Directing: Film Techniques and Aesthetics, Second Edition is a comprehensive manual that teaches the essentials of filmmaking from the perspective of the director. Ideal for film production and directing classes, as well as for professionals with sights on the director's chair, Directing covers all stages of production, from idea development to final cut. Thoroughly covering the basics, Directing guides the reader to professional standards of control and goes to the heart of what makes a great director. All the 'how-to' information is unified by a theory that naturally links personal experience and vision to the director's decision making and stresses that understanding one's own emotional and perceptual processes is the key to individuality on the screen and to success with audiences.

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Directing, Michael Rabiger

Langue
Année de publication
1996
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Titre
Directing
Sous-titre
Film Techniques and Aesthetics - Second Edition
Langue
Anglais
Éditeur
Focal Press
Publié
1996
Format
souple
Pages
512
ISBN10
0240802233
ISBN13
9780240802237
Séries
Évaluation
4,25 sur 5
Description
* A practical and comprehensive manual that dissolves the barriers between the aesthetic and the technical * Common sense theory of film derived from everyday perceptual experience. Directing: Film Techniques and Aesthetics, Second Edition is a comprehensive manual that teaches the essentials of filmmaking from the perspective of the director. Ideal for film production and directing classes, as well as for professionals with sights on the director's chair, Directing covers all stages of production, from idea development to final cut. Thoroughly covering the basics, Directing guides the reader to professional standards of control and goes to the heart of what makes a great director. All the 'how-to' information is unified by a theory that naturally links personal experience and vision to the director's decision making and stresses that understanding one's own emotional and perceptual processes is the key to individuality on the screen and to success with audiences.