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Paramètres
- 248pages
- 9 heures de lecture
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In Marvel 1602, award-winning writer Neil Gaiman presents a unique vision of the Marvel Universe set four hundred years in the past. Classic Marvel icons such as the X-Men, Spider-Man, the Fantastic Four and Daredevil appear in this intriguing world of 17th-century science and sorcery, instantly familiar to readers, yet subtly different in this new time. Marvel 1602 combines classic Marvel action and adventure with the historically accurate setting of Queen Elizabeth I's reign to create a unique series unlike any other published by Marvel Comics.Collecting Marvel 1602 #1-8 - penciled by andy Kubert and digitally painted by Richard Isanove, with covers by Scott McKowen.
Achat du livre
Marvel 1602, Collectif d'auteurs
- Langue
- Année de publication
- 2006
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- (souple)
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- Titre
- Marvel 1602
- Langue
- Anglais
- Auteurs
- Collectif d'auteurs
- Éditeur
- Marvel
- Publié
- 2006
- Format
- souple
- Pages
- 248
- ISBN10
- 0785123113
- ISBN13
- 9780785123118
- Séries
- Mots clés
- Fiction, Romans historiques, Bandes dessinées & Manga, Bandes dessinées, Science-fiction, Super-héros, Cadeaux pour les écoliers plus âgés, Cadeaux pour les jeunes écoliers, Cadeaux pour les messieurs, Marvel, Renaissance (époque), X-Men, Spider-Man, Renaissance, Élisabeth I, reine, 1533-1603, Daredevil
- Première publication
- 2004
- Titre original
- Marvel 1602
- Évaluation
- 3,95 sur 5
- Description
- In Marvel 1602, award-winning writer Neil Gaiman presents a unique vision of the Marvel Universe set four hundred years in the past. Classic Marvel icons such as the X-Men, Spider-Man, the Fantastic Four and Daredevil appear in this intriguing world of 17th-century science and sorcery, instantly familiar to readers, yet subtly different in this new time. Marvel 1602 combines classic Marvel action and adventure with the historically accurate setting of Queen Elizabeth I's reign to create a unique series unlike any other published by Marvel Comics.Collecting Marvel 1602 #1-8 - penciled by andy Kubert and digitally painted by Richard Isanove, with covers by Scott McKowen.