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Sleeping by the Mississippi

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  • 120pages
  • 5 heures de lecture

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Sleeping by the Mississippi by Alec Soth is a pivotal work in the photobook era, first published by Steidl in 2004. This debut book, which has seen three editions, established Soth as a prominent figure in contemporary photography. The new MACK edition coincides with the inaugural exhibition in London at Beetles+Huxley gallery and features two previously unseen photographs. Originating from road trips along the Mississippi River, the book captures the essence of America’s often-overlooked ‘third coast.’ Soth’s large-format color images present a diverse array of individuals, landscapes, and interiors, evoking a mood of loneliness, longing, and reverie. Anne Wilkes Tucker notes in her original essay that the 46 meticulously edited pictures touch on themes such as illness, race, crime, and redemption. Similar to Robert Frank’s The Americans, this work combines documentary style with a poetic sensibility, using the Mississippi as an organizing motif rather than the central subject. The series embodies a distinctly American spirit of wanderlust, and thirteen years after its initial release, Soth’s lyrical perspective resonates with deeper significance, intertwining hope, fear, desire, and regret along this mythic river.

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Sleeping by the Mississippi, Patricia Hampl, Alec Soth, Anne Wilkes Tucker

Langue
Année de publication
2017
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(rigide)
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Titre
Sleeping by the Mississippi
Langue
Anglais
Éditeur
MACK
Publié
2017
Format
rigide
Pages
120
ISBN10
1910164895
ISBN13
9781910164891
Séries
Évaluation
4,6 sur 5
Description
Sleeping by the Mississippi by Alec Soth is a pivotal work in the photobook era, first published by Steidl in 2004. This debut book, which has seen three editions, established Soth as a prominent figure in contemporary photography. The new MACK edition coincides with the inaugural exhibition in London at Beetles+Huxley gallery and features two previously unseen photographs. Originating from road trips along the Mississippi River, the book captures the essence of America’s often-overlooked ‘third coast.’ Soth’s large-format color images present a diverse array of individuals, landscapes, and interiors, evoking a mood of loneliness, longing, and reverie. Anne Wilkes Tucker notes in her original essay that the 46 meticulously edited pictures touch on themes such as illness, race, crime, and redemption. Similar to Robert Frank’s The Americans, this work combines documentary style with a poetic sensibility, using the Mississippi as an organizing motif rather than the central subject. The series embodies a distinctly American spirit of wanderlust, and thirteen years after its initial release, Soth’s lyrical perspective resonates with deeper significance, intertwining hope, fear, desire, and regret along this mythic river.