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The Creation of Half-Broken People

A Novel

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  • 384pages
  • 14 heures de lecture

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Stupendous African Gothic, by the winner of Yale University’s Windham–Campbell PrizeA modern Gothic story set on the African continent, The Creation of Half-Broken People tells the tale of a nameless woman plagued by visions. She works for the Good Foundation and its museum, a place filled with artifacts from the family’s exploits in Africa, the Good family members all being descendants of Captain John Good, of King Solomon’s Mines fame.Our heroine is happy with her association with the Good family, until one day she comes across a group of people protesting outside the museum. Instigating the protesters is an ancient woman, who our heroine knows is not real. The nameless woman knows too that the secrets of her past have returned. After this encounter, she finds herself living first in an attic and then in a haunted castle, her life anything but normal as her own intangible inheritance unfolds through the women who inhabit her visions.With a knowing nod to classics of the Gothic genre, Siphiwe Gloria Ndlovu weaves the threads of a complex colonial history into the present as she examines the collusion of colonialism, patriarchy, and capitalism in creating and normalizing a certain kind of womanhood.

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The Creation of Half-Broken People, Siphiwe Gloria Ndlovu

Langue
Année de publication
2025
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Titre
The Creation of Half-Broken People
Sous-titre
A Novel
Langue
Anglais
Publié
2025
Format
souple
Pages
384
ISBN10
1487013272
ISBN13
9781487013271
Séries
Description
Stupendous African Gothic, by the winner of Yale University’s Windham–Campbell PrizeA modern Gothic story set on the African continent, The Creation of Half-Broken People tells the tale of a nameless woman plagued by visions. She works for the Good Foundation and its museum, a place filled with artifacts from the family’s exploits in Africa, the Good family members all being descendants of Captain John Good, of King Solomon’s Mines fame.Our heroine is happy with her association with the Good family, until one day she comes across a group of people protesting outside the museum. Instigating the protesters is an ancient woman, who our heroine knows is not real. The nameless woman knows too that the secrets of her past have returned. After this encounter, she finds herself living first in an attic and then in a haunted castle, her life anything but normal as her own intangible inheritance unfolds through the women who inhabit her visions.With a knowing nod to classics of the Gothic genre, Siphiwe Gloria Ndlovu weaves the threads of a complex colonial history into the present as she examines the collusion of colonialism, patriarchy, and capitalism in creating and normalizing a certain kind of womanhood.