Cette série monumentale plonge dans la riche tapisserie de l'histoire de l'art, explorant les cultures visuelles de l'Antiquité à l'ère moderne. Chaque volume offre une exploration approfondie et méticuleusement recherchée de périodes, de mouvements et d'artistes spécifiques. Elle constitue une ressource inestimable pour les étudiants, les universitaires et les amateurs d'art désireux d'élargir leurs connaissances et leur appréciation de l'expression artistique.
The author charts the development of architectural theory and practice from Elizabeth I to George IV. Questions of style, technology, and the social framework are resolved as separable but always essential components of the building worlds.
'Art', declared Vasari in Lives of the Artists, has been reborn and reached perfection in our time'. Indeed the roster of great names in painting of the Cinquecento, which only begins with those of Leonardo, Michelangelo, and Raphael, appears to justify this grand claim. Professor Freedberg here discusses the individual painters and analyses the hallmarks of their work. He traces the classical style of the High Renaissance, the Mannerism that succeeded it, and the events, in North Italy especially, that resist stylistic categories. He has given order to this diversity, but at the same time has preserved the intense individuality of the works of art. The fourth edition of this classic work includes colour illustrations and incorporates textual revisions and an updated bibliography.