La légende de Duluoz Séries

Written during 1951-52, this novel was an underground legend by the time it was finally published in 1972. Written in an experimental form, Kerouac created the ultimate account of his voyages with Neal Cassady, which he captured in a different form for On the Road.

Une brève et triste histoire d'amour : Mardou, une petite Noire, traîne à San Francisco avec les beatniks. Elle aime Léo Percepied, un ancien matelot, qui ne lui adresse que des rebuffades : celui-ci voudrait être admis dans la bande des " Souterrains ", qui mènent la nuit une vie folle et sauvage, mais c'est en vain. L'idylle sordide et magnifique de Mardou et Léo se déroule dans un univers de beuveries, de querelles et parfois d'extase.

Die Geschichte von Kerouacs Alter Ego Jack Duluoz erzählt von dessen High-School-Erlebnissen in Massachusetts und seiner Zeit als Football-Stipendiat an der Columbia Universität. Gerade als Jack in sein glamouröses Erwachsenenleben ausbrechen will, bricht auch der Zweite Weltkrieg aus, Jack tritt der US Navy bei und bereist die Welt. Während er Erfahrungen sammelt, erkennt er die Grenzen seiner ursprünglichen Pläne und kehrt zurück nach New York, wo die Beat-Bewegung gerade ihren Anfang nimmt, zurück in einen Tumult aus Drogen, Sex und wahnhaftem Schreiben.

The Town and the City est le premier roman de Jack Kerouac. Publié en 1950, la critique salue alors l'apparition d'un nouveau talent. Pour peindre l'univers de la famille Martin, Kerouac s'inspire de sa propre enfance en Nouvelle-Angleterre ; il suit tous les personnages, dispersés à travers le monde, du début du siècle à la fin des années quarante, et les réunit finalement pour l'enterrement du père. Moment crucial où chacun voit son destin enfin scellé et l'accepte. Tous, sauf Peler, le petit. dernier, qui refuse le retour à la normalité et s'interroge sur ce monde qui lui est étranger. Dans l'oeuvre de jack Kerouac, The Town and the City est en quelque sorte le prélude incontournable d'une longue saga intime.

Le roman "Sur la route" a provoqué un bouleversement culturel aux États-Unis à la fin des années cinquante, faisant de Jack Kerouac une icône de la littérature spontanée et détabouisée. Considéré comme la bible légendaire de la génération beat, ce livre est une déclaration générationnelle et une réponse au paradoxe social de son époque : bien que l'Amérique fût à son apogée économique, ses maux devenaient de plus en plus visibles. Jack Kerouac (1922 – 1969) est l'un des représentants les plus significatifs de la beat generation, auteur de trois recueils de poésie et de plus de quinze romans souvent autobiographiques. À dix-sept ans, il s'installe à New York, une ville qui lui révèle une passion pour le jazz et le désir d'écrire, tout en l'entraînant dans l'expérimentation avec les drogues. Son amitié avec Allan Ginsberg et William Burroughs a donné naissance à un nouveau mouvement littéraire. L'œuvre de Kerouac est marquée par des influences de la foi catholique, de la méditation bouddhiste et des improvisations jazz. Malgré son aspiration à la liberté et à la spontanéité, il a souffert de dépressions et de solitude, et est décédé à quarante-sept ans à cause de problèmes de santé liés à l'alcool.

Before Jack Kerouac expressed the spirit of a generation in his 1957 classic, On the Road, he spent years figuring out how he wanted to live and, above all, learning how to write. Atop an Underwood brings together more than sixty previously unpublished works that Kerouac wrote before he was twenty-two, ranging from stories and poems to plays and parts of novels, including an excerpt from his 1943 merchant marine novel, The Sea Is My Brother. These writings reveal what Kerouac was thinking, doing, and dreaming during his formative years, and reflect his primary literary influences. Readers will also find in these works the source of Kerouac's spontaneous prose style. Uncovering a fascinating missing link in Kerouac's development as a writer, Atop an Underwood is essential reading for Kerouac fans, scholars, and critics.

Beautifully rejacketed, Doctor Sax is one of Kerouac’s best books – a vivid, nostalgic tale of one boy’s extraordinary childhood. Of all his books, Doctor Sax was the one Jack Kerouac loved the most. He began writing it in 1948, but wrote the greater part of it in 1952, when he was staying in Mexico with William Burroughs. Told through the character of Kerouac’s fictional alter ego, Jack Duluoz, the novel tells the story of his extraordinary childhood in Massachusetts. A clever and rebellious boy, playing among the river weeds and railroad tracks, going to the movies, reading pulp comics and watching cartoons, Jack creates an imaginary world of strange, new possibilities. Within this world lies the weird and wonderful Doctor Sax…

'The piteousness of his little soft shroud of hair falling down his brow and swept aside by the hand over blue serious eyes' Described by Kerouac as 'my most serious sad and true book', Visions of Gerard forms the first volume of his memoir cycle the 'Duluoz Legend'. Based on Jack Kerouac's memories of the beloved older brother who died when he was a boy, it is unique among his novels for its dreamlike evocation of the sensations of childhood - its wisdom, anguish, intensity, innocence, joy and pain. It is a haunting exploration of the precariousness of existence. 'Called a "pain-tale" by Kerouac, it's the story of an almost divine, Buddha-like child wracked with sickness and suffering' Guardian

Venu dans notre pays pour rechercher l'origine de son nom véritable, Jean Louis Lebris de Kerouac, le chef de file du mouvement beat, s'aperçoit de retour en Floride qu'il a reçu, au cours de ce voyage, une sorte d'illumination, un satori. Ne sachant à quel épisode précis attribuer cette révélation, il va revivre avec le lecteur ces dix journées passées en France. Journées où abondent les situations inattendues, et où l'on sent ce besoin de sympathie et de chaleur humaine que Kerouac manifestait en maintes occasions.

Written over the course of three days and three nights, The Subterraneans was generated out of the same ecstatic flash of inspiration that produced another one of Kerouac's early classic, On The Road. Centering on the tempestous breakup of Leo Percepied and Mardou Fox--two denizens of the 1950s San Francsico underground--The Subterraneans is a tale of dark alleys and dark rooms, of artists, of visionaries,

Following the explosive energy of On the Road comes The Dharma Bums in which Kerouac charts the spiritual quest of a group of friends in search of Dharma or Truth. Ray Smith and his friend Japhy, along with Morley the yodeller, head off into the high Sierras to seek the lesson of solitude and experience the Zen way of life. But in wildly bohemian San Francisco, with its poetry jam sessions, marathon drinking bouts and experiments in 'yabyum', they find the ascetic route distinctly hard to follow.

Tristessa is a strange fever-dream of morphine sickness and belly-deep sadness. Or, in the words of Allen Ginsberg: 'a narrative meditation studying a hen, a rooster, a dove, a cat, a chihuahua dog, family meat, and a ravishing, ravished junky lady, first in their crowded bedroom, then out to drunken streets, taco stands, and pads at dawn in Mexico City slums'.

Vanity of Duluoz is a key volume in Jack Kerouac's lifework, the series of autobiographical novels he referred to as The Legend of Duluoz. With the same tender humor and intoxicating wordplay he brought to his masterpieces On the Road and The Dharma Bums, Kerouac takes his alter ego from the football fields of small-town New England to the playing fields and classrooms of Horace Mann and Columbia, out to sea on a merchant freighter plying the sub-infested waters of the North Atlantic during World War II, and back to New York, where his friends are the writers who would one day become known as the Beat generation and where he publishes his first novel.

Un jour, à Mexico, j'ai emmené chez moi cinq fumeurs de " thé " qui me vendaient la camelote, mais ils se révélèrent être des voleurs. Ils me chipèrent mon couteau scout pendant que j'avais le dos tourné. Je ne dis rien, bien que je m'en fusse aperçu. A un moment donné, le chef est resté trente secondes bien sonnées derrière moi sans ouvrir la bouche et l'idée m'est alors venue qu'il allait me poignarder... Traduit de l'anglais par Michel Deutsch

Maggie Cassidy , a 1959 novel by Jack Kerouac written about his times in Lowell, MA from 1938 to 1939. It chronicles Kerouac's real life relationship with teen age heart-throb Mary Carney. It is unique for Kerouac for its high school setting and teenage characters. He wrote the novel in 1953 but it was not published until 1959, after the success of On the Road .

In 1960 Jack Kerouac was near breaking point. Driven mad by constant press attention in the wake of the publication of On the Road, he needed to 'get away to solitude again or die', so he withdrew to a cabin in Big Sur on the Californian coast. The resulting novel, in which his autobiographical hero Jack Duluoz wrestles with doubt, alcohol dependency and his urge towards self-destruction, is one of Kerouac's most personal and searingly honest works. Ending with the poem 'Sea: Sounds of the Pacific Ocean at Big Sur', it shows a man coming down from his hedonistic youth and trying to come to terms with fame, the world and himself.