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- 4 heures de lecture
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For Edvard Munch (1863-1944), painting was an act of self-liberation. His treatments of fear, desperation, and death still exert a powerful visual and psychological effect on modern viewers. Of all Munch's paintings, The Scream (1893), representing a figure tortured by horror, is the most well-known-and certainly one of the most expressive. The artist reflected his innermost feelings in his work: In reality, my art is a free confession, an attempt to clarify to myself my own relation to life... Although Edvard Munch cannot be clearly identified with any single movement, he is deemed a pioneer of Expressionism.
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Edvard Munch 1863-1944, Ulrich Bischoff
- Langue
- Année de publication
- 1999
- Reliure
- (souple)
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- Titre
- Edvard Munch 1863-1944
- Sous-titre
- Imagens de vida e de morte
- Langue
- Portugais
- Auteurs
- Ulrich Bischoff
- Éditeur
- Taschen
- Publié
- 1999
- Format
- souple
- Pages
- 96
- ISBN10
- 382286126X
- ISBN13
- 9783822861264
- Séries
- Mots clés
- Nonfiction, Art / Culture, Beaux-arts, Peinture & Sculpture
- Évaluation
- 4,35 sur 5
- Description
- For Edvard Munch (1863-1944), painting was an act of self-liberation. His treatments of fear, desperation, and death still exert a powerful visual and psychological effect on modern viewers. Of all Munch's paintings, The Scream (1893), representing a figure tortured by horror, is the most well-known-and certainly one of the most expressive. The artist reflected his innermost feelings in his work: In reality, my art is a free confession, an attempt to clarify to myself my own relation to life... Although Edvard Munch cannot be clearly identified with any single movement, he is deemed a pioneer of Expressionism.