Physiognomie und Pathognomie

The book explores the intersections of morality, individuality, and physiognomy in 18th-century literature and theater. It examines character development in works by Lessing, Goethe, and others, highlighting the evolution of narrative techniques and personal representation. The text delves into physiognomic and pathognomic theories, discussing their implications for beauty and visibility as articulated by figures like Johann Joachim Winckelmann. It critiques satirical physiognomy in the writings of Musäus, Pezzl, and Klinger, while also addressing the construction of criminal psychology and forensic physiognomy. The relationship between body and illness is analyzed in the context of Schiller's early works, and themes of gender dynamics are explored through the lens of Faust and Margarete. Novalis's interpretation of higher physiognomy and Jean Paul's perspectives on femininity are also examined. The book reflects on Goethe's literary contributions, the physiognomy of historical figures like Fürst Pückler, and the transformative character portrayals in Keller's narratives. Additional discussions include the complexities of physiognomy in Hofmannsthal and Kraus's works, as well as Kassner's person descriptions. The text concludes with considerations of beauty ideals in Annette Kolb's writings and the representation of individuality in Albin Zollinger's work, alongside reflections on Marguerite Duras's autobiographical insigh