Kino der Kaiserzeit

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The book features a comprehensive exploration of early German cinema, beginning with an introduction to the film landscape during the Kaiserzeit. It delves into various genres, including forgotten films and early comedies, while examining the intersection of melodrama and social issues. The text highlights detective films from a comparative perspective and discusses the role of film propaganda during World War I. It also investigates connections between fantastical films of the 1910s and 1920s, showcasing the early works of notable actresses and filmmakers. The book addresses significant contributions from figures like Peter Ostermayr and Harry Piel, emphasizing the dynamics between audience and cinema. Further analysis includes the self-referential nature of early films and stylistic characteristics in an international context. The text also touches on adaptations from theater to film and the representation of locations like Holland in early German productions. Overall, it provides a rich tapestry of insights into the artistic and cultural developments of the time, supported by a detailed authors' directory, text and image credits, and an index for easy reference.