"The americans. newart. is the first book to survey the most recent wave of American contemporary art. The book features thirty of the most important artists to have emerged from the USA in the last five years, including some young artists who are just starting to establish their international reputations. The last time the American art scene was so active was in the eighties, which saw the emergence of a brat pack of celebrated artists. This phenomenon died along with the economic boom and international attention turned to other countries - including Britain. However, the wave of American artists that began to emerge in the later nineties is carving out a distinct identity for itself."--Jacket
Mark Sladen Livres


Bacon's Eye
- 112pages
- 4 heures de lecture
During his lifetime, Francis Bacon maintained that he painted directly onto canvas without the benefit of preparatory studies. Since his death in 1992, however, several groups of works on paper have come to light, offering amazing new insights into Bacon's working methods and personal obsessions. "Bacon's Eye" showcases a unique collectiion of works on paper that were bundled up and given by the artist to his friend Barry Joule just prior to his death. This collection includes a remarkable album of 70 oil sketches that relate to his work from the '50s and '60s, as well as over 900 "working documents": images torn from books, magazines and newspapers that have been painted and sketched over, revealing an artist's-eye-view of some of the most important people and events of the 20th century. As of yet, these works have not been officially recognized as being by Bacon. Permission to to show these works alongside finished paintings was denied by the Bacon Estate. The gallery, 21 Publishing, and a host of Bacon experts firmly believe in the authenticity of these works. This book, along with an exhibition at the Barbican Gallery in London, are a means of allowing the public to judge for itself. Edited by Georgia Mazower. Foreword by John Hoole. Introduction by Mark Sladen. Essay by Mark Sladen. 116 color and 6 b&w. 9.25 x 12 in.