Malcolm Bradbury Livres

An exploration of the ideas, groupings and the social tensions that shaped the transformation of life caused by the changes of modernity in art, science, politics and philosophy

Up in the north of England they are cost-cutting at the small provincial university where Henry Babbacombe, a writer, does some teaching. And in the great glass tower of Eldorado TV they are getting ready to cut and edit a major series that will outshine "Brideshead" and "The Jewel in the Crown".

The postbag of Malcolm Bradbury - academic, author, lecturer, thinker - is crammed with requests for help and advice. 'Please help me with my thesis on the campus novel', 'Please come and talk to my faculty in remote area of the Scottish Highlands', 'Please adapt a classic novel for television', and so on. In reply, Malcolm Bradbury has prepared a book of imaginary letters to cover any request he may receive. There is a letter of thanks for his invitation to talk to three hostile students in a stuffy room and pass the night in a barn; a reply to the European student who wishes to know if he is the same person as David Lodge and which of the two stole his supervisor's umbrella; a letter describing the experience of being the academic who has cycled to L'Escargot for television production meetings; and scathingly funny letters on structuralism, the cuts in education and a great deal more. Above all, they may spare the author from having to write an autobiography.

The great diversity of Spain is captured here in a series of breathtaking photographs accompanying a century of travel writing from the pages of the New York Times.

An account of the development of the British novel in the 20th century, and a companion volume to the author's "The Modern American Novel". The various main lines are laid out, and the book includes a detailed survey of post-war writing and the scene today.

This sparkling anthology offers 29 of the best marriages of comedy and fiction. A deliciously varied collection of comic short stories, representing the cream of twentieth century humour.

This is a guide to the main developments in the history of British and Irish literature, charting some of the main features of literary language development and highlighting key language topics.

Doran, Amanda-Jane, Punchlines - 150 years of humorous writing in Punch. London, HarperCollins, 1991. 26cm. XII, 371 pages. Original hardcover with dustjacket in protective mylar. Excellent, close to new condition with only minor signs of external wear. Includes work by authors / comedians such as: John Bentjemen / Mary Dunn / Graham Greene / Melvyn bragg / Stevie Smith / William Boyd / Robert Graves / etc.

"Focuses on writers and works that are intimately bound up with a place and a time, capturing a town, a city, a region, in its literary heyday."--Jacket.

This book, in ten succinct essays, examines the ten "greats" of early 20th century literature. In each case the author's most important work is discussed in the context of the author's life, other writings and place in the modernist movement.

A collection of papers by contemporary novelists considering the authors' side of the debate about the nature of the modern novel. Those contributing include Iris Murdoch, Saul Bellow, Doris Lessing, Philip Roth and John Fowles.

A monumental critical history that sums up the American literary achievement from Henry James to Thomas Pynchon. Beginning with the 1890s and the seminal novels of Henry James and Theodore Dreiser, this highly acclaimed volume charts the flowering of the American narrative tradition. It takes in Hemingway, Fitzgerald, and Faulkner; the emergence of Jewish and African-American literatures; and the works of Thomas Pynchon, Philip Roth, and Kurt Vonnegut. Updated to consider the most important fiction of the 1980s and early 90s, The Modern American Novel is a comprehensive critical history of American literary achievement."

To the Hermitage tells two stories. The first is of the narrator, a novelist, on a trip to Stockholm and Russia for an academic seminar called the Diderot Project. The second takes place two hundred years earlier and recreates the journey the French philosopher Denis Diderot made to Russia at the invitation of Catherine the Great, a woman whose influence could change the path of history . . . Malcolm Bradbury's last novel is rich with his satirical wit, but it is also deeply personal and weaves a wonderfully wry self-portrait.

Een Engelse hoogleraar brengt een officieel bezoek aan een denkbeeldig Oost-Europees land en ondervindt daar het tot in het extreme opgevoerde controlesysteem van een totalitaire staat.

A map of American literature that puts every writer in historical place from a contemporary perspective

The Benedict Arnold University in America's Midwest perfectly fulfils all the criteria of an excellent academic a bookstore well stocked with ring binders, good parking facilities and efficient air conditioning. Since the beginning of the year the English Department has even boasted a genuine Englishman, James Walker, teacher of creative writing. Once hailed as an angry young man, Walker is, in fact, a mildly irritated man in his thirties with three 'promising' novels to his credit. Socially inadequate, a dedicated liberal short on commitment and drive, Walker is not, perhaps, an ideal candidate for the post he was summoned so auspiciously to fill...

Francis Jay, a nineties person, embarks on a quest to find one of the greatest philosophers and thinkers of the modern age, the elusive Dr Bazlo Criminale. From European congress to congress, from woman to woman, from muse to muse he pursues the doctor, while the truth is slowly revealed.

Novel - Howard Kirk is the trendiest of radical tutors at a fashionable university campus. A self-appointed revolutionary hero, Howard always comes out on top. And Malcolm Bradbury dissects him in this savagely funny novel that has been universally acclaimed as one of the masterpieces of the decade.

Insanely funny depiction of events in the English department at a provincial English university.

The Penguin Book of Modern British Short Stories, edited by novelist and critic Malcolm Bradbury, is a collection of the finest short stories from our best loved authors, including Samuel Beckett, Graham Greene, William Golding, Kingsley Amis, Doris Lessing, Muriel Spark, J. G. Ballard, William Trevor, Ian McEwan, Martin Amis, Rose Tremain, Salman Rushdie, Graham Swift and Kazuo Ishiguro. 'The short story has become one of the major forms of modern literary expression - in some ways the most modern of them all.' The story of the British short story since the Second World War is one of change and revolution and this powerful and moving collection brilliantly demonstrates the evolution of the form. Containing thirty-four of the most widely regarded postwar British writers, it features tales of love and crime, comedy and the supernatural, the traditional as well as the experimental. This many-storied, many-splendored collection is a brilliant portrait of the generation of writers who have immediately influenced the brightest, sharpest and most intriguing writers who continue to emerge today. Malcolm Bradbury was a novelist, critic, television dramatist and professor of American studies and creative writing. He was awarded the CBE in 1991 for his services to Literature and was knighted in the 2000 New Year's Honours List. He died in 2000.

This first volume of Bradbury's collected critical writings concentrates on British fiction since 1945. It is written from the center of the field it surveys: Bradbury is a writer who is also a critic, a critic who is also a writer. He often feels a conflict between the two roles, but writes in a personal, lucid, and amusing style, alert to modern critical theory yet at the same time deeply involved as a creative novelist.

Widely acknowledged as a contemporary classic that has introduced thousands of readers to American literature, this book charts the fascinating story of American literature from the Puritan legacy to the advent of postmodernism. From realism and romanticism to modernism and postmodernism, it examines and reflects on the work of a rich panoply of writers, including Poe, Melville, Fitzgerald, Pound, Wallace Stevens, Gwendolyn Brooks and Thomas Pynchon

Americko-britská dvojice autorů předkládá ve své knize ucelený pohled na historii písemnictví vzniklého na půdě současných Spojených států od koloniálních počátků až po hlavní osobnosti a směry osmdesátých let 20. století. Syntetickou formou podaný výklad sleduje „příběh“ americké literatury a jeho vazby na dobový historický a politický kontext, přičemž zdůrazňuje především zásadně moderní ráz amerického písemnictví. Literární tvorbu a její reflexe vnímají autoři jako neopominutelnou součást amerických snah o kulturní nezávislost, jako neustálý proces rekonstrukce tvůrčích tradic i jako jeden z množství projevů široce pojatého uměleckého vyjádření se stále výraznějším mezinárodným rozměrem. Kniha tak českému čtenáři nabízí nejen dosud nejúplnejší a informačně nejbohatší popis americké literárné historie, ale zároveň její ucelenou moderní interpretaci. České vydání je doplněno poprvé publikovanou výběrovou bibliografií českých překladů amerických literárnych děl.... celý text