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Kevin C. Karnes

    Across centuries and cultures
    Arvo Part's Tabula Rasa
    Sounds Beyond
    • Sounds Beyond

      • 224pages
      • 8 heures de lecture
      4,4(5)Évaluer

      "In Sounds Beyond, Kevin C. Karnes illuminates the unofficial and interconnected music and art scenes in the USSR during the second half of the 1970s through the work of Arvo Pärt, one of the most successful and widely known contemporary classical composers with a large international following. Karnes shows how Pärt's work of the 1970s took shape in dialogue with a community of alternative musicians and as part of a vital yet forgotten culture of collective experimentation Karnes calls the 1970s Soviet Underground. Using a combination of archival research and oral history, Karnes carefully situates modes of experimentation in the late socialist contexts out of which they emerged, and he also shows the degree to which experimental scenes in the East and West were in dialogue and shared several common goals. Karnes also unveils the deeply communal nature of experimental projects in music and the visual arts, from John Cage to Morton Feldman, and in dislodging the mythology of the solitary genius cultivated in the official biographies of Pärt and many others; as he writes, his work was impossible without community"--

      Sounds Beyond
    • Arvo Part's Tabula Rasa

      • 135pages
      • 5 heures de lecture

      The first book dedicated to the breakthrough work by one of the most acclaimed composers today, Arvo Part's Tabula Rasa tells the story of its composition and premiere against the backdrop of late Soviet culture and the end of the Cold War.

      Arvo Part's Tabula Rasa
    • Across centuries and cultures

      • 373pages
      • 14 heures de lecture

      In this volume, twenty-three scholars pay tribute to the life and work of Joachim Braun with musicological essays covering the breadth of Professor Braun’s several fields of research. Topics covered include Jewish music and music in ancient Israel/Palestine, musical cultures of the Baltic States, and the historical study of musical instruments. Its collected essays range in approach from archival to analytical and from iconographic to critical, and consider a wide range of subjects, including the music of Jewish displaced persons during and after World War II, Roman and Byzantine organology, medieval hymnody, and Soviet musical life under Stalin.

      Across centuries and cultures