Wouter Davidts Livres

Exploring the intricate relationship between architecture and museums, Wouter Davidts examines how museum designs serve various functions, from iconic structures to flexible spaces and urban revitalization tools. Key questions include the objectives of museum construction, the connection between architecture and art, and the historical context influencing these projects. The book features numerous case studies, such as the Stedelijk Museum Amsterdam and Tate Modern, highlighting the collaborative processes between museum directors, governments, and architects in realizing their visions.

Artists, architects, art historians, critics, and curators explore the work of Donald Judd as both artist and critic in essays spanning all of Judd's career.Donald Judd (1928-1994) is one of the most influential American artists of the postwar era. Beginning in the 1960s, he developed new ideas about art--in both his works and writings--that challenged many of modernism's core tenets by resisting the categories of painting and sculpture. Judd described this work as specific objects. Critics labeled it minimalism. Perhaps because Judd's own critical writings provide a discursive framework for his work, some of the monographic essays on his work are not widely known. This volume collects critical and scholarly writings on Judd, examining his work as both artist and critic.

Valiz's Antennae series picks up new currents in the arts and commissions essays that transmit current waves of thought. The Fall of the Artists at Work , a collection of new essays examining the role and significance of the artist's studio in the cultural production and criticism of the second half of the twentieth century, is its first publication. It critically assesses the changes that have occurred in the nature and function of the artist's studio from the postwar period on. A blend of art history, art criticism and art theory, written in an accessible, non-academic style, the book illuminates a number of artists' studio habits--from the 1960s through the present--including Eva Hesse, Mark Rothko, Olafur Eliasson, Bruce Nauman, Robert Morris, Daniel Buren, Martin Kippenberger, Paul McCarthy, Jason Rhoades and Jan De Cock.

This book accompanies the first American retrospective of Donald Judd's work in 30 years, offering in-depth research to reassess his career. It aims to counter existing interpretations by exploring his industrial materials, fabrication processes, and connections to design and architecture, providing a fresh perspective on his revolutionary methods.

Travel with nature and wildlife photographer Wouter Pattyn to explore 12 of the most beautiful nature reserves on the European continent. Along with photographs of stunning landscapes, Amazing Europe is a sourcebook of information for the adventurous traveller.

A unique overview of the projects of Xaveer De Geyter Architects.

This is the catalogue for an exhibition organized by the National Gallery of Art in Washington, DC, which explores the considerable contributions of Virginia Dwan and her legendary gallery to post-WWII American art.It is being carefully curated by Press author James Meyer. Founded by Virginia Dwan in 1959, the Dwan Gallery was a leading avant-garde space with locations in Los Angeles and New York, presenting the art of Franz Kline, Robert Rauschenberg, Claes Oldenburg, Sol LeWitt, and Robert Smithson, among others. Where the Los Angeles gallery featured abstract expressionism, neo-dada, and Pop, the New York branch reflected the emerging movements of minimalism, conceptualism, and land art. The activities of the Dwan Gallery transpired not just in and between Los Angeles, New York, and Paris, but also in the wilderness of the American West, where Dwan fostered a new genre of art known as earthworks (land art). A keen follower of the Parisian art scene, Dwan also gave many nouveaux realistes such as Yves Klein their debut shows in the United States."