Klaus Ottmann Livres

This overview delves into the techniques and contributions of a British-born panoramic painter known for his realist style. It explores his artistic methods and the significance of his work within the broader context of panoramic painting, highlighting his unique approach to capturing expansive scenes and the emotional depth of his subjects. The book serves as a valuable resource for understanding the evolution of realism in art through the lens of this influential artist.

An exploration of two artists' creative dialogue with gardens and nature: French post-impressionist painter Pierre Bonnard (1867-1947) and contemporary American artist Jennifer Bartlett (b. 1941).

Focusing on the significant milestones in the career of a prominent post-war American realist painter, this illustrated survey offers an engaging exploration of his artistic evolution. The book highlights key developments in his work, providing insights into his techniques and influences, making it an essential resource for art enthusiasts and scholars alike.

The narrative offers a fresh perspective on the concept of genius, challenging traditional notions and exploring its complexities in a postmodern context. It delves into how societal influences shape our understanding of genius, questioning established norms and celebrating diverse forms of creativity. Through critical analysis and engaging examples, the book invites readers to reconsider what it means to be a genius in contemporary culture.

A first monograph on American artist Honor Titus, exploring themes of ritual, class and nostalgia in contemporary American experience.

The meticulous photographic practice of Japanese artist Hiroshi Sugimoto (*1948 in Tokyo) is like that of a painter’s. Inspired both by Marcel Duchamp’s obsession with the mechanics of space and the mathematical foundations of his works and Man Ray’s photographs of nineteenth-century mathematical models, Sugimoto photographed similar models at the University of Tokyo, creating starkly beautiful images, printed larger than life to invoke monumental Greek sculpture or architecture. This is the first publication to compare and contrast Sugimoto’s mathematical photographs with his own aluminum or stainless-steel mathematical models crafted with computer-controlled, precision milling machines. Exhibition: The Phillips Collection, Washington, D. C., February 7–May 10, 2015