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Mason Kamana Allred

    Weimar cinema, embodiment, and historicity
    • Cover -- Half Title -- Title Page -- Copyright Page -- Contents -- Acknowledgments -- Introduction: Cinematic Historicity -- Notes -- Chapter 1: Screening Pasts through Carnal Presence -- Thawing Historicism -- Historical Sense -- Wearing History -- Enduring Duration -- History on Repeat -- Page to Screen -- Notes -- Chapter 2: Entangling Histories -- A Common Past -- Cinematic Historians -- History for Export -- Framing Historical Space -- Prosthetic Mobility -- The Politics of Historical Spectacle -- Putting the Nation in International -- Utopia of Cinematic Historicity -- Notes -- Chapter 3: History Class at 16 fps -- Projecting Pedagogy -- Lights, Camera, Reflection -- Content of the Form -- Space and Time -- Thinking in Images -- The Illusion of History -- Notes -- Chapter 4: Clio in Crisis -- Historical Thought in Film -- Film in Historical Thought -- The Need for New History -- Dynamite and Dynamization -- Photographic History -- Notes -- Bibliography -- Index

      Weimar cinema, embodiment, and historicity