Marilynne Robinson Livres

Ainsi que les lecteurs de Gilead et de Chez nous s'en souviendront sans doute, Lila est la seconde épouse du révérend John Ames qui exerce son sacerdoce à Gilead, une petite ville de l'Iowa. C'est à ce personnage féminin, très discret dans les deux romans précédents, que Marilynne Robinson, remontant le temps de sa propre fiction, consacre ce troisième ouvrage, bouclant ainsi, à rebours, le cycle de ce qui apparaît désormais comme une trilogie romanesque. À la manière de certains écrivains dont toute l'?uvre semble hantée par un territoire unique, et comme si écrire s'apparentait pour elle à un geste d'ordre quasi généalogique, la romancière ne quitte donc pas les parages de Gilead, centre du monde en forme de champ magnétique où tout se joue pour les personnages, sur la terre comme au ciel ...

From the author of the magnificent, award-winning novels GILEAD and HOME comes this, a collection of wonderful, heart-warming essays about reading

Home parallels the story told in Robinson's Pulitzer Prize-winning Gilead. It is a moving and healing book about families, family secrets, and the passing of the generations, about love and death and faith.Hundreds of thousands were enthralled by the luminous voice of John Ames in Gilead, Marilynne Robinson’s Pulitzer Prize–winning novel. Home is an entirely independent, deeply affecting novel that takes place concurrently in the same locale, this time in the household of Reverend Robert Boughton, Ames’s closest friend. Glory Boughton, aged thirty-eight, has returned to Gilead to care for her dying father. Soon her brother, Jack—the prodigal son of the family, gone for twenty years—comes home too, looking for refuge and trying to make peace with a past littered with tormenting trouble and pain. Jack is one of the great characters in recent literature. A bad boy from childhood, an alcoholic who cannot hold a job, he is perpetually at odds with his surroundings and with his traditionalist father, though he remains Boughton’s most beloved child. Brilliant, lovable, and wayward, Jack forges an intense bond with Glory and engages painfully with Ames, his godfather and namesake. Home is a moving and healing book about families, family secrets, and the passing of the generations, about love and death and faith. It is Robinson’s greatest work, an unforgettable embodiment of the deepest and most universal emotions.

"For generations, the Book of Genesis has been treated by scholars as a collection of documents by various hands expressing different factional interests, with borrowings from other ancient literatures that mark the text as derivative. In other words, academic interpretation of Genesis has centered on the question of its basic coherency, just as fundamentalist interpretation has centered on the question of the appropriateness of reading it as literally true. Both of these approaches preclude an appreciation of its greatness as literature, its rich articulation and exploration of themes that resonate through the whole of Scripture. Marilynne Robinson's new book is a powerful consideration of the profound meanings and promise of God's enduring covenant with man. Her magisterial book radiates gratitude for the constancy and benevolence of God's abiding faith in Creation"--Publisher's description.

The Givenness of Things is Robinson unadorned, speaking her mind forthrightly, sometimes with frustration, often with dry humour . . . Robinson makes full use of her writerly imagination Herald

By defending the importance of individual reflection, this title celebrates the power and variety of human consciousness in the tradition of William James. It explores the nature of subjectivity and considers the culture in which Sigmund Freud that was situated and its influence on his model of self and civilization.

New essays on theological, political, and contemporary themes, by the Pulitzer Prize winner Marilynne Robinson has plumbed the human spirit in her renowned novels, including Lila, winner of the National Book Critics Circle Award, and Gilead, winner of the Pulitzer Prize and the National Book Critics Circle Award. In this new essay collection she trains her incisive mind on our modern political climate and the mysteries of faith. Whether she is investigating how the work of great thinkers about America like Emerson and Tocqueville inform our political consciousness or discussing the way that beauty informs and disciplines daily life, Robinson’s peerless prose and boundless humanity are on full display. What Are We Doing Here? is a call for Americans to continue the tradition of those great thinkers and to remake American political and cultural life as “deeply impressed by obligation [and as] a great theater of heroic generosity, which, despite all, is sometimes palpable still.”

Jack tells the story of John Ames Boughton, the beloved and grieved-over prodigal son of a Presbyterian minister in Gilead, Iowa, a drunkard and a ne'er-do-well. In segregated St. Louis sometime after World War II, Jack falls in love with Della Miles, an African-American high school teacher, also a preacher's child, with a discriminating mind, a generous spirit, and an independent will. Their fraught, beautiful story is one of Robinson's greatest achievements.

In 1956, toward the end of Reverend John Ames's life, he begins a letter to his young son, a kind of last testament to his remarkable forebears. 'It is a book of such meditative calm, such spiritual intensity that is seems miraculous that her silence was only for 23 years; such measure of wisdom is the fruit of a lifetime. Robinson's prose, aligned with the sublime simplicity of the language of the bible, is nothing short of a benediction. You might not share its faith, but it is difficult not to be awed moved and ultimately humbled by the spiritual effulgence that lights up the novel from within' Neel Mukherjee, The Times 'Writing of this quality, with an authority as unforced as the perfect pitch in music, is rare and carries with it a sense almost of danger - that at any moment, it might all go wrong. In Gilead, however, nothing goes wrong' Jane Shilling, Sunday Telegraph

From the Orange Prize winning author of HomeAcclaimed on publication as a contemporary classic, Housekeeping is the story of Ruth and Lucille, orphansgrowing up in the small desolate town of Fingerbone in the vast northwest of America.Abandoned by a succession of relatives, the sisters find themselves in the care of Sylvie, the remote and enigmatic sister of their dead mother. Steeped in imagery of the bleak wintry landscape around them, the sisters' struggle towards adulthood is powerfully portrayed in a novel about loss, loneliness and transience.'I love and have lived with this book . . . it holds a unique and quiet place among the masterpieces of 20th century American fiction.' Paul Bailey'I found myself reading slowly, than more slowly--this is not a novel to be hurried through, for every sentence is a delight.' Doris Lessing

"She grew daring and reckless. Overestimating her strength. She wanted to swim far out. Where no woman had swum before."

A book-full of projects with diagrams, step-by-step instructions, and color photos. Very useful pull-out pattern.