Focusing on the relationship between the mind and the world, this work explores the relevance of Husserl's phenomenological analyses of consciousness. It argues that these insights can significantly contribute to contemporary discussions in analytic philosophy, offering a fresh perspective on longstanding philosophical questions.
The concept of beauty has long been a central concern in aesthetics and art theory, traditionally viewed as a key value in the experience of art. However, in recent debates, particularly since the mid-twentieth century, beauty's significance has been contested by both artists and philosophers, leading to its perception as merely one aesthetic feature among many. Recently, there has been a re-evaluation of beauty, with some suggesting a "comeback of beauty." This shift presents a challenge for contemporary aesthetics to deepen our understanding of beauty's nature, forms, dimensions, and its role in art theory and practice, as well as in human life. Contributions from leading scholars in this volume explore the significance of beauty, its key aspects, and its relevance across various aesthetic disciplines. The discussions are framed around three main questions: What is beauty? What objects can be considered beautiful? How does the value of beauty relate to other aesthetic values? This exploration aims to address the complexities and nuances surrounding beauty in the context of modern aesthetics.