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Marina MacKay

    Modernism, War, and Violence
    Modernism and World War II
    The Cambridge Introduction to the Novel
    Ian Watt
    • Ian Watt

      • 240pages
      • 9 heures de lecture
      3,5(2)Évaluer

      Both an intellectual biography and an intellectual history of the mid-century, this book reconstructs Ian Watt's wartime world and shows how our ideas about the social, moral, and psychological work that the novel accomplishes can be traced to the crises of the Second World War and its aftermath.

      Ian Watt
    • Beginning its life as the sensational entertainment of the eighteenth century, the novel has become the major literary genre of modern times. Drawing on hundreds of examples of famous novels from all over the world, Marina MacKay explores the essential aspects of the novel and its history: where novels came from and why we read them; how we think about their styles and techniques, their people, plots, places, and politics. Between the main chapters are longer readings of individual works, from Don Quixote to Midnight's Children. A glossary of key terms and a guide to further reading are included, making this an ideal accompaniment to introductory courses on the novel.

      The Cambridge Introduction to the Novel
    • Modernism and World War II

      • 204pages
      • 8 heures de lecture

      The book highlights the Second World War as a pivotal event that reshaped literary history in the twentieth century. It explores how the war influenced writers, themes, and narrative styles, marking a transformation in the literary landscape. Through critical analysis, it examines the lasting impact of wartime experiences on literature and the evolution of storytelling in response to global conflict.

      Modernism and World War II
    • Modernism, War, and Violence

      • 184pages
      • 7 heures de lecture

      The modernist period was an era of world war and violent revolution. Covering a wide range of authors from Joseph Conrad and Thomas Hardy at the beginning of the period to Elizabeth Bowen and Samuel Beckett at the end, this book situates modernism's extraordinary literary achievements in their contexts of historical violence, while surveying the ways in which the relationships between modernism and conflict have been understood by readers and critics over the past fifty years. Ranging from the colonial conflicts of the late 19th century to the world wars and the civil wars in between, and concluding with the institutionalization of modernism in the Cold War, Modernism, War, and Violence provides a starting point for readers who are new to these topics and offers a comprehensive and up-to-date survey of the field for a more advanced audience.

      Modernism, War, and Violence