Death, homosexuality and the spiritual emptiness of post-war Japan: these are the often shocking subjects which Mishima explores. The old world meets the new in this collection of fiction and drama by one of Japan's most celebrated writers. A husband prepares to commit hara-kiri in the name of patriotism; an ascetic struggles with temptation; and a businessman meets a past love in the streets of San Francisco. Violence colours the work of Mishima, as it did his life. But there is also delicate observation, pathos, humour and irony in these beautifully crafted tales. Contents: - Death in Midsummer - Three Million Yen - Thermos Flasks - The Priest of Shiga Temple and His Love - The Seven Bridges - Patriotism - Dōjōji - Onnagata - The Pearl - Swaddling Clothes
Edward Seidensticker Ordre des livres (chronologique)
Edward George Seidensticker fut un érudit distingué, un historien et un traducteur de premier plan de la littérature japonaise d'après-guerre. Son travail a joué un rôle déterminant dans la rendre accessible aux lecteurs occidentaux. Seidensticker s'est concentré sur une profonde compréhension de la culture japonaise et de son héritage littéraire. Ses traductions sont très appréciées pour leur fidélité et leur mérite littéraire.




Louange de l'ombre
- 112pages
- 4 heures de lecture
An essay on aesthetics by the Japanese novelist, this book explores architecture, jade, food, and even toilets, combining an acute sense of the use of space in buildings. The book also includes descriptions of laquerware under candlelight and women in the darkness of the house of pleasure.
Tokyo Rising
- 378pages
- 14 heures de lecture
A continuation of the author's history of Tokyo explains how the city recovered from both a major earthquake and Allied bombing raids in World War II
Low City, High City
- 302pages
- 11 heures de lecture
Certain conjunctions of time and place exert a special fascination--Paris in the twenties, turn-of-the-century Vienna, Weimar Berlin. Tokyo in the years between the Meiji Restoration and the Earthquake of 1923 is one of these. Until 1867 the city was called Edo--it was the shogun's capital, the biggest city in a country almost completely closed to the outside world for two and a half centuries. Then, helter-skelter, it became a modern metropolis brimming with Western fads, ideas, and technologies, exuberantly inventing and imitating even as it yearned for the past it was destroying. East and West met here as never before--or since.