Phillip Lopate est un essayiste célébré dont l'œuvre explore la réflexion personnelle et l'enquête critique. Il mêle avec maestria l'introspection à une observation perspicace, invitant les lecteurs dans de profonds courants de pensée. Son écriture se distingue par un examen pénétrant de la psyché humaine et des dynamiques sociales. La prose de Lopate est façonnée avec précision, démontrant une maîtrise sophistiquée du langage qui révèle sa voix littéraire distinctive.
Phillip Lopate shares a collection of essays and reviews that reflect his passionate engagement with art house cinema over the past twenty-five years. Through his insightful commentary, readers are invited to explore a range of films that he found both exhilarating and frustrating, showcasing his unique perspective on the cinematic experience. This compilation reveals not just his favorites but also the complexities of his relationship with film, making it a compelling read for cinema enthusiasts.
My Affair with Art House Cinema presents Phillip Lopate’s selected essays and
reviews from the last quarter century, inviting readers to experience films he
found exhilarating, tantalizing, and beguiling—and sometimes disappointing or
frustrating—through his keen eyes.
Included are all seven of Max Beerbohm's major early essays. Though these essays were justly acclaimed in their time, their magnificence is such that they also demand the highest accolades in ours, replete as they are with undiminished colour and spectacle, humour and barbed excellence.--From back cover.
In 1909, ten years had elapsed since Max Beerbohm's last volume of essays. In the time which had passed, his style had evolved to become a little more elegiac, a little less over-consciously clever. Yet Again gave full voice to his new mode, moulded by constant journalism into a superb clear flow. Still present are trenchantly funny criticism of banality, gorgeous erudition, countered expectations and, most of all, delicious irony. In Seeing People Off we are asked to examine the terrible truth behind awkward goodbyes; in A Club in Ruins the strange and lugubrious magnetism of dying buildings is surveyed; in Ichabod the author shamefacedly asks himself why he should mind that all the labels have been cleaned from his luggage; in The House of Commons Manner he bemoans the surprising lack of skill in speaking of the august members of that house; and in Dulcedo Judiciorum a full account is rendered of the superiority of the entertainment provided by the law courts over that of the theatre. Alongside seventeen other brilliant essays, there is here also a special section of nine imaginative depictions inspired by famous artworks.
Max Beerbohm presents in More a collection of twenty brilliantly amusing essays. In a wide-ranging tour through both the inspiring and the ridiculous in English fin de siecle society, Beerbohm casts a veiled critical drubbing here, and a wistful though sprightly appreciation there, thoroughly entertaining us and accurately spearing his victims. Some of his most noted work appeared in this second little volume when it was first published in 1899. In "Punch" he asks us if the magazine's terrible dullness is not our own fau
"A compelling record of one year in the life of a writer, including observations about movies, art, music, friendship, travel, and family. The essay is the most pluckily pedestrian and blithely transgressive of literary genres, the one that is most at large and in need, picking through the accumulated disjecta of daily life and personal and social history to take what it needs and remake it as it sees fit. It is, at its lively best, quite indifferent to the claims of style, fashion, theory, and respectability, provoking and inspiring through the pleasure of surprise. In 2016, Philip Lopate, who has been writing essays and thinking about the essay for decades now, turned his attention to one of the essay's offshoots, the blog, a form by that time already thick, as he knew, with virtual dust. Lopate committed to writing a weekly blog about, really, whatever over the course of a year, a quicker pace of delivery than he'd ever undertaken and one that carried the risk of all too regularly falling short. What emerged was A Year and a Day, a collection of forty-seven essays best characterized as a single essay a year in the making, a virtuosic (if never showy) demonstration of the essay's range and reach, meandering, looping back, pressing reset, forging on. Lopate's topics along the way include family, James Baldwin, a trip to China, Agnes Martin, Abbas Kiarastomi, the resistable rise of Donald Trump, death, desire, and the tribulations, small and large, of daily life. What results is at once a self-portrait, a picture of the times, and a splendid new elaboration of what the essay can be"-- Provided by publisher
This antiquarian book is a facsimile reprint of the original, preserving its historical significance despite potential imperfections like marks and flawed pages. The publication aims to protect and promote important literary works, ensuring they remain accessible in high-quality modern editions that reflect the original's authenticity.
"The first decades of the twenty-first century have witnessed a blossoming of creative nonfiction. In this extraordinary collection, Phillip Lopate gathers essays by forty-seven of America's best contemporary writers, mingling long-established eminences with newer voices and making room for a wide variety of perspectives and styles. The Contemporary American Essay is a monument to a remarkably adaptable form and a treat for anyone who loves fantastic writing"-- Provided by publisher
A monumental, canon-defining anthology of three centuries of American essays, from Cotton Mather and Benjamin Franklin to David Foster Wallace and Zadie Smith—selected by acclaimed essayist Phillip Lopate "Not only an education but a joy. This is a book for the ages." —Rivka Galchen, author of Atmospheric Disturbances The essay form is an especially democratic one, and many of the essays Phillip Lopate has gathered here address themselves—sometimes critically—to American values. We see the Puritans, the Founding Fathers and Mothers, and the stars of the American Renaissance struggle to establish a national culture. A grand tradition of nature writing runs from Audubon, Thoreau, and John Muir to Rachel Carson and Annie Dillard. Marginalized groups use the essay to assert or to complicate notions of identity. Lopate has cast his net wide, embracing critical, personal, political, philosophical, literary, polemical, autobiographical, and humorous essays. Americans by birth as well as immigrants appear here, famous essayists alongside writers more celebrated for fiction or poetry. The result is a dazzling overview of the riches of the American essay.
