Waksman explore l'histoire de la musique populaire et de la culture américaines des 19e et 20e siècles. Son travail se concentre sur la technologie musicale, la production de l'identité par le son et les performances musicales en direct dans l'espace public. Il examine comment la musique façonne notre identité et intègre les avancées technologiques. Ses analyses offrent des aperçus profonds sur les liens complexes entre le son, la société et l'expression personnelle.
Live Music in America provides the first dedicated survey of music history in the United States as seen through the lens of live performance, offering readers a wide-ranging social and cultural history of American music that touches on race, class, gender, and debates over cultural value.
This work ranges across the history of the electric guitar by focusing on key performers such as Charlie Christian, Les Paul, Chet Atkins, Muddy Waters, Chuck Berry, Jimi Hendrix, the MC5 and Led Zeppelin, who have shaped the use and meaning of the instrument. schovat popis
Focusing on live performance, this book presents a comprehensive survey of American music history, intertwining social and cultural narratives. It explores significant themes such as race, class, and gender, while delving into the ongoing debates regarding cultural value. Through this lens, readers gain insights into how live music has shaped and reflected the diverse American experience.