Ce roman est un livre culte. Publie entre 1975 et 1981, il est considere comme l'un des chefs-d'oeuvre de la litterature du XXe siecle. La scene inaugurale: l'analyse du Pergamon dans le Berlin de 1937 entre le narrateur anonyme et ses pairs adolescents, jeunesse inquiete, qui exprime sa haine du systeme nazi galopant. La fin: les reflexions avinees et melancoliques sur l'admissible defaite de la resistante au fascisme. C'est que ce groupe se rencontre exclusivement dans des musees ou des galeries: la resistance politique est un art. Souvent comparee a la Recherche de Proust et aux Passages de Benjamin, l'oeuvre majeure de Peter Weiss (1916-1982) se resume aussi aisement que l'Ulysse de Joyce. Refus du renoncement a la resistance, elle est en creux l'une des plus subversives histoires de l'art jamais ecrite. "L'esthetique de la Resistance dont Peter Weiss commenca la redaction alors qu'il depassait la cinquantaine, faisant un pelerinage au travers des meandres arides de l'histoire culturelle contemporaine en compagnie du pavor nocturnus, terreur de la nuit charge d'un monstrueux poids ideologique, est un magnum opus qui se decouvre non seulement comme l'expression d'un ephemere souhait de redemtion mais comme une expression de la volonte d'etre, a la fin des temps, du cote des vaincus." W.G. Sebald, Luftkrieg und Literatur (2001).
Peter Weiss Livres
Peter Weiss était un écrivain et artiste allemand dont l'œuvre explore souvent les complexités des dynamiques de pouvoir sociétales et la tension entre idéologies opposées. Sa prose se caractérise par son intensité et ses éléments autobiographiques, imprégnée de détails kafkaïens qui sondent des dilemmes existentiels. Maître de la forme dramatique, Weiss utilisait fréquemment la technique du "théâtre dans le théâtre" pour disséquer et confronter de grandes idées et leurs contraires. Ses œuvres acclamées internationalement continuent de résonner par leur analyse incisive des conflits historiques et sociaux.






Souvent le livre, le tableau tentent de s'approcher de la totalité, d'intégrer les sens multiples et de se proclamer moyen magique d'évocation. mais le rêve d'une confrontation sans obstacle, d'une danse anonyme et d'une antenne commune s'est éloigné. Ce qui est produit aujourd'hui doit trouver son marché. L'aventure a son prix d'achat, le voyage de découverte vise un acheteur, le fragment d'un sujet illimité vit entre le producteur et le consommateur et doit disparaître lorsqu'il n'y a pas de demande. Mon livre est ma marchandise. En reconnaissant ces règles du jeu chaque œuvre se prive elle-même de ses dernières forces, elle est neutralisée, elle s'adapte au système.
The Aesthetics of Resistance, Volume II
- 336pages
- 12 heures de lecture
Originally published in German in 1978 and appearing here in English for the first time, the second volume of Peter Weiss's three-volume novel The Aesthetics of Resistance depicts anti-fascist resistance, radical proletarian political movements, and the relationship between art and resistance from the late 1930s to World War II.
The Investigation is a dramatic reconstruction of the Frankfurt War Crimes trials, based on the actual evidence given. This testimony, concerning Auschwitz and the atrocities which were enacted there, has been edited and extracted by Peter Weiss into a dramatic document that relies solely and completely on the facts for its effectiveness.There is no artistic license, no manipulation of facts and figures, no rearrangement of events for theatrical effect. Nameless witnesses stand and recall their appalling memories of Auschwitz, allowing us to bear witness to their painful and painstaking search for truth and, ultimately, justice. What emerges is a chastening and purging documentary of deeply moving power.Peter Weiss was born in 1916 and settled in Sweden before the outbreak of World War II. Apart from his writing, he was also well known as a painter, theatrical and operatic director, and a film maker. His magnificent play Marat/Sade , which is also available from Marion Boyars Publishers, established his reputation among English-speakling audiences as a revolutionary dramatist, and has continued to be a bestselling classic. He died in 1982.
The Aesthetics of Resistance, Volume 1
- 325pages
- 12 heures de lecture
Regarded by many as one of the leading works of this century, this novel documents the resistance to fascism in Europe (and within Germany) during WWII.
Marat/ Sade
- 124pages
- 5 heures de lecture
Hölderlin
- 219pages
- 8 heures de lecture
The work of German poet Frederich Hölderlin (1770-1843) has inspired poets and philosophers from Paul Celan to Rainer Maria Rilke to Martin Heidegger and Friedrich Nietzsche. His hymns and elegies are known for their lyric style and innovative approach to Greek myth. But his work was not widely celebrated during his lifetime. Diagnosed with a severe case of hypochondria at a young age, he was beset by mental illness for much of his life, living the final decades in the care of a carpenter. This book presents a biography in the form of a two-act drama.
More Health, Less Care
- 164pages
- 6 heures de lecture
Tackling the problems plaguing the U.S. health-care system, this accessible guide explores the pitfalls of contemporary medicine and medical treatments, concentrating on diseases linked to poor lifestyle choices, such as obesity and diabetes. While much of the health-care industry is centered on a blanket approach that addresses a general disease instead of the person affected by it, this guide suggests that personalization is the key to good health. It asserts that patients who make physical, emotional, and spiritual lifestyle changes to improve their diets, exercise regimens, and stress levels can help alleviate problems caused by lifestyle illnesses.
Leavetaking
- 125pages
- 5 heures de lecture
""I was on my way to look for a life of my own." A brilliant, brutally honest autobiographical novel, long out of print, from one of the great artistic polymaths of the 20th century. This is a Sebaldian account of the narrator's attempt to break free of a repressive upper-middle-class upbringing and make his way as an artist and individual, written in a single incantatory paragraph. Leavetaking is the story of an upper-middle-class childhood and adolescence in Berlin between the wars. In the course of the book, Weiss plumbs the depths of family life: there is the early death of his beloved sister Margit, the difficult relationship with his parents, the fantasies of adolescence and youth, all set in the midst of an increasing anti-Semitism, which forces the Weiss family to move again and again, a peripatetic existence that only intensifies the narrator's growing restlessness. The young narrator is largely oblivious to world events and focused instead on becoming an artist, an ambition frustrated generally by his milieu and specifically by his mother, who, herself a former actress, destroys his paintings during one of the family's moves. In the end, he turns to an older mentor, Harry Haller, a fictionalized portrait of Hermann Hesse, who encouraged and supported Weiss, and with Haller's example before him, the narrator takes his first steps towards a truly independent life. Intensely lyrical, written with great imaginative power, Leavetaking is a vivid evocation of a world that has disappeared and of the narrator's developing consciousness. THE NEVERSINK LIBRARY champions books from around the world that have been overlooked, underappreciated, looked askance at, or foolishly ignored. They are issued in handsome, well-designed editions at reasonable prices in hopes of their passing from one reader to another--and further enriching our culture"-- Provided by publisher

