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Koleka Putuma

    We Have Everything We Need To Start Again
    No Easter Sunday For Queers
    Contemporary Plays by African Women
    Collective Amnesia
    • Collective Amnesia

      • 114pages
      • 4 heures de lecture
      4,5(56)Évaluer

      This highly-anticipated debut collection from one of the country's most acclaimed young voices marks a massive shift in South African poetry. Kola Putuma's exploration of blackness, womxnhood and history in Collective Amnesia is fearless and unwavering. Her incendiary poems demand justice, insist on visibility and offer healing. In them, Putuma explodes the idea of authority in various spaces ñ academia, religion, politics, relationships ñ to ask what has been learnt and what must be unlearnt. Through grief and memory, pain and joy, sex and self-care, Collective Amnesia is a powerful appraisal, reminder and revelation of all that has been forgotten and ignored, both in South African society, and within ourselves.

      Collective Amnesia
    • Contemporary Plays by African Women

      • 344pages
      • 13 heures de lecture
      4,0(4)Évaluer

      This volume draws together six contemporary plays by female African writers, offering a rare insight into the work being produced by these practitioners. These plays, which are selected from writers across the continent, together give a rich portrait of identity, politics, culture and society in contemporary Africa. The editors of the volume have also provided biographies and the writers' own artistic statements; production histories; and a critical contextualisation of the theatre from which each woman is writing. This provides a rich context from which these plays can be prescribed for study, both at secondary school and undergraduate level--Provided by publisher.

      Contemporary Plays by African Women
    • NO EASTER SUNDAY FOR QUEERS follows the (hate) (crime) (murder) love story of Napo and Mimi. The lovers, through the (spirit) (subconscious), Easter Sunday sermon, return on the anniversary of their (wedding) death (crucifixion) to make the (church) (pastor) (perpetrator) Father (reconcile) reckon with the present and the past and a (sacrifice) crucifixion he must account for. The alter is a cross and the subconscious a courtroom where the dead seek justice for a (an act) sin committed by their perpetrators. The (antagonist) protagonists cannot (any more) tell the past from the present and scripture from the truth. Every year, (through the visitations) on Easter Sunday the (pastor and his) church is made to remember.

      No Easter Sunday For Queers