Shaun D. Hutchinson Livres

Critically acclaimed author of We Are the Ants—described as having “hints of Vonnegut’s Slaughterhouse-Five” (School Library Journal)—opens up about what led to an attempted suicide in his teens, and his path back from the experience.“I wasn’t depressed because I was gay. I was depressed and gay.”Shaun David Hutchinson was nineteen. Confused. Struggling to find the vocabulary to understand and accept who he was and how he fit into a community in which he couldn’t see himself. The voice of depression told him that he would never be loved or wanted, while powerful and hurtful messages from society told him that being gay meant love and happiness weren’t for him.A million moments large and small over the years all came together to convince Shaun that he couldn’t keep going, that he had no future. And so he followed through on trying to make that a reality.Thankfully Shaun survived, and over time, came to embrace how grateful he is and how to find self-acceptance. In this courageous and deeply honest memoir, Shaun takes readers through the journey of what brought him to the edge, and what has helped him truly believe that it does get better.

When his best friend-turned-boyfriend goes missing and seems to be remembered by nobody else, Ozzie begins to believe that the universe is shrinking and forges ties with a new friend while struggling to figure out what is happening.

When no one in the small town of Merritt, Florida, believes that he was attacked by a monster, fifteen-year-old Virgil Knox fears the monster will return to finish him off, or worse--that he is becoming a monster himself.

Sixteen-year-olds Noa, DJ, and Jenny awake on a spaceship, unaware of how they got there or what is coming, but soon Noa and DJ are falling in love.

A Junior Library Guild Selection “Surreal, brainy, and totally captivating.” —Booklist (starred review) “Provocative and moving.” —Publishers Weekly (starred review) “Hutchinson artfully blends the realistic and the surreal.” —School Library Journal (starred review) From the critically acclaimed author of We Are the Ants and At the Edge of the Universe comes a mind-bending, riveting novel about a teen who was born to a virgin mother and realizes she has the power to heal—but that power comes at a huge cost. Sixteen-year-old Elena Mendoza is the product of a virgin birth. This can be scientifically explained (it’s called parthenogenesis), but what can’t be explained is how Elena is able to heal Freddie, the girl she’s had a crush on for years, from a gunshot wound in a Starbucks parking lot. Or why the boy who shot Freddie, David Combs, disappeared from the same parking lot minutes later after getting sucked up into the clouds. Other things that can’t be explained are the talking girl on the front of a tampon box, or the reasons that David Combs shot Freddie in the first place. As more unbelievable things occur, and Elena continues to perform miracles, the only remaining explanation is the least logical of all—that the world is actually coming to an end, and Elena is possibly the only one who can do something about it.

Dre and Dean have got my vote!-Adib Khorram, award-winning author of Darius the Great Is Not Okay When Dean Arnault's mother decided to run for president, it wasn't a surprise to anyone, least of all her son.

Ten teens are left alone in the wilderness during a three-day survival test in this multi-authored novel led by award-winning author Shaun David Hutchinson. At Zeppelin Bend, an outdoor-education program designed to teach troubled youth the value of hard work, cooperation, and compassion, ten teens are left alone in the wild. The teens are a diverse group who come from all walks of life, and were all sent to Zeppelin Bend as a last chance to get them to turn their lives around. They’ve just spent nearly two weeks hiking, working, learning to survive in the wilderness, and now their instructors have dropped them off eighteen miles from camp with no food, no water, and only their packs, and they’ll have to struggle to overcome their vast differences if they hope to survive. Inspired by The Canterbury Tales, the characters in Feral Youth, each complex and damaged in their own ways, are enticed to tell a story (or two) with the promise of a cash prize. The stories range from noir-inspired revenge tales to mythological stories of fierce heroines and angry gods. And while few of the stories are claimed to be based in truth, they ultimately reveal more about the teller than the truth ever could.

What would you do if no one could see you? In this surreal adventure, a boy who is used to being overlooked literally becomes invisible, only to realize there may be far more dangerous threats in his school than bullies. Sixth grade takes a turn for the weird when Hector Griggs discovers he has the ability to turn invisible. Sure, ever since Hector’s former best friend Blake started bullying him, he’s been feeling like he just wants to disappear…but he never thought he actually would. And then, Hector meets another invisible boy, Orson Wellington, who has an ominous warning: “I’m stuck here. Stuck like this. It’s been years. The gelim’s hunting me and it’ll get you, too.” It turns out, there is more than meets the eye at St. Lawrence’s Catholic School for Boys, and if Hector is going to save Orson--and himself—from the terrifying creature preying on students’ loneliness and fear, he’ll need to look deeper. With the help of a mysterious new classmate, Sam, can Hector unravel the mysteries haunting his school, and discover that sometimes it takes disappearing to really be seen?

Jedna ze 100 najlepszych książek młodzieżowych wg magazynu „Time” Do końca świata zostały 144 dni. Możesz powstrzymać go w każdej chwili. Co zrobisz? Życie Henry’ego Dentona to koszmar. Jego mama ledwie wiąże koniec z końcem, chora na alzheimera babcia coraz rzadziej jest sobą, a jego chłopak, Jesse, w zeszłym roku popełnił samobójstwo. Jakby tego było mało, Henry’ego od lat regularnie porywają kosmici. Po latach obcy stawiają go przed wyborem: świat skończy się za 144 dni i tylko Henry może go uratować. Wystarczy, że wciśnie jeden przycisk. Nic więcej. Rzecz w tym, że Henry nie wie, czy ma ochotę cokolwiek ratować. Bo ten jeden jedyny raz może sprawić, że ból i cierpienie znikną.