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Stella Benson

    6 janvier 1892 – 6 décembre 1933

    Stella Benson était une féministe, écrivaine de voyage et romancière anglaise dont les œuvres exploraient les questions sociales et l'expérience féminine. Sa prose, souvent éclairée par ses propres voyages et luttes personnelles, se distinguait par son portrait compatissant de personnages marginalisés et un œil avisé pour la critique sociale. Le style de Benson était à la fois intime et descriptif, capturant les complexités des relations humaines et les paysages culturels et géographiques plus larges. Par son écriture, elle cherchait à défendre l'agentivité féminine et à remettre en question les structures patriarcales, laissant un héritage d'auteure qui n'avait pas peur de confronter des vérités inconfortables.

    I Pose
    This is the End
    Pull Devil, Pull Baker
    The Poor Man
    Pipers and a Dancer
    La vie seule
    • La vie seule

      • 120pages
      • 5 heures de lecture
      3,6(159)Évaluer

      Une traduction inédite en français de Stella Benson, admirée par Virginia Woolf et injustement méconnue en France. Dans la lignée d'oeuvres de romancières telles que Silvia Townsend Warner, son univers magique préfigure celui de Mary Poppins ou Harry Potter. Mêlant humour et sorcellerie dans le contexte social difficile de la première guerre mondiale, cette fiction inclassable propose un regard réinventé sur un Londres mi-réel, mi-fantastique, exaltant les vertus de l'indépendance et la fonction réparatrice de la magie.

      La vie seule
    • The oddest book you may ever read, both fantastic autobiography and ground-breaking autofictionCount Nicolas de Toulouse Lautrec de Savine was a hero in battle and a legendary lover in bed. A daring adventurer and a shameless swindler. A gambler ready to place the riskiest bets and a coward apt to flee his creditors in the middle of the night. Tsar of Bulgaria and a Chicago streetcar conductor. A racist, a chauvinist, and an antisemite. Was he all of these -- or none of them? This is the question Stella Benson struggled with as she tried to shape the Count's wild recollections into a coherent story. Which mattered more: the factual truth or the fictional truth? Her answer anticipates today's field of creative nonfiction -- while telling a wild, funny, and unique tale.

      Pull Devil, Pull Baker
    • In the spring of 1916, we meet orphaned sister and brother Jay and Kew Martin in London. Jay (real name Jane Elizabeth) has run away from her strange, claustrophobic, interfering, well-heeled family to the simplicities of the 'Brown Borough' (otherwise Hackney), to live amongst its working-class people, to a job as a bus conductor, and to discover her own wild self. Kew is on recuperative leave from the War, and manages to find Jay in her humble new abode. She begs him to preserve her newfound freedom and not reveal her whereabouts to their family. But nothing can stop their former guardians, the eccentric writer Anonyma Martin and her husband, their dry cousin Gustus, from setting out to try to find her, using clues from Jay's letters. The problem is, Jay's letters have been fabricated from her extraordinary dream-filled imagination; she's set them on a wild goose-chase!

      This is the End
    • I Pose

      • 313pages
      • 11 heures de lecture
      3,0(8)Évaluer

      We begin by following The Gardener in a shambolic and romantic walking journey, as his inexperience leads him a merry dance through youth's many poses, away from his shabby boarding house in London, toward the coast. Along the way, he falls for The Suffragette, but she rejects him. The problem is, she likes him, despite herself. But is she capable of traditional love? And so we also follow her, led through not only her political convictions, but also all the less certain parts of her personality, about which she is blindingly honest. Can she fit love for The Gardener into her busy passion for women's rights? Does she really want to? She thinks probably not. And yet...

      I Pose
    • Twenty (1918)

      • 64pages
      • 3 heures de lecture

      The book is a facsimile reprint of an original antiquarian work, preserving its historical significance. While it may exhibit imperfections like marks and notations due to its age, the reprint aims to maintain the integrity of the original text. This effort reflects a commitment to protecting and promoting important literature, offering readers access to high-quality editions that honor the past while remaining affordable.

      Twenty (1918)
    • I Pose

      in large print

      • 360pages
      • 13 heures de lecture

      This publication focuses on making historical works accessible to individuals with impaired vision through large print. Megali, the publishing house behind this initiative, specializes in reproducing original texts, ensuring that important literary and historical content remains available to a wider audience.

      I Pose
    • Exploring themes of ennui, romance, and the complexities of modern life, this poetry collection captures the reflections of a young woman navigating a rapidly changing world. Stella Benson expresses her fatigue with societal expectations and embraces her individuality, seeking her own path amidst the pressures of youth. The verses convey a poignant sense of longing and introspection, inviting readers to resonate with her journey of self-discovery.

      Twenty
    • "The Little World" is a fascinating travel book, in which Benson describes her travels around the world, concentrating on China and the USA.

      The Little World