L'écriture de Stephen Lee Naish explore les intersections du cinéma, de la politique et de la culture populaire. Ses essais, publiés dans diverses revues et périodiques, mettent en lumière les façons complexes dont ces forces façonnent notre compréhension de la société. Naish examine de manière critique comment les œuvres cinématographiques reflètent et influencent le discours politique, explorant l'art comme une voie essentielle tant pour le commentaire social que pour l'expression personnelle profonde.
This collection of essays is the first major work to take in Dennis Hopper as a creative artist in all his fields of endeavour, from acting and directing to photography, sculpture, and expressionist painting.
The collection features Stephen Lee Naish's essays, weaving a narrative that delves into the political and humanistic dimensions of contemporary cinema. Through his insights, Naish examines how films reflect societal issues and personal experiences, offering a thought-provoking perspective on the medium's impact on culture and individual identity.
It's time to take Dirty Dancing out of the corner and place it under the microscope.
Despite high and low brow pop culture references in their lyrics, sleeve art, and in interviews, no concise in-depth study exists of the Manic Street Preachers. This book is in some ways a response to that fact, a study of the band through one particular record. Whilst The Holy Bible, Everything Must Go and even Generation Terrorists seem like obvious albums to cover, 2001's Know Your Enemy is the pivotal point used here to explore the band bestowed a Godlike Genius Award by the NME. Know Your Enemy encapsulates all previous incarnations of the Manics and acts as a pointer towards their future as a creative unit. It was a real attempt to explore new avenues in sound, embrace their socialist political views, renew their stance as music industry outsiders, antagonize other bands and basically be the Manics the fans really wanted them to be!
This book explores five of Hopper’s films to show how this deep engagement with music to build character and setting continued throughout his career, as Hopper used folk, punk, hip-hop, and jazz to shape the worlds of his films in ways that influenced other filmmakers and foreshadowed the advent... číst celé