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Jack Spicer

    Jack Spicer était un poète américain associé à la Renaissance de San Francisco. Son œuvre se caractérise par une exploration profonde du langage, de la réalité et de l'expérience humaine, recherchant souvent de nouvelles formes et possibilités poétiques. La voix unique et l'approche innovante de Spicer au vers continuent de résonner, laissant une marque significative dans la littérature américaine.

    Policing County Lines
    Cuckoo Land
    My Vocabulary Did This to Me
    My Vocabulary Did This to Me
    After Lorca
    The House That Jack Built
    • "Like all of Spicer's best work, After Lorca is "an argument between the dead and the living." He was haunted by Jean Cocteau's image of Orpheus as a poet taking dictation from the beyond through radio broadcasts only he could hear-he liked to say his own messages might be coming from Martians. But as he wrote in his 1965 book Language, "The trouble with comparing a poet with a radio is that radios/ don't develop scar tissue.""-- Provided by publisher

      After Lorca
    • My Vocabulary Did This to Me

      The Collected Poetry of Jack Spicer

      • 508pages
      • 18 heures de lecture
      4,4(971)Évaluer

      This collection showcases the work of a distinctive American poet, highlighting their innovative style and unique voice. It offers a diverse range of themes and emotions, reflecting the poet's perspective on life, nature, and the human experience. Readers can expect to encounter thought-provoking imagery and a fresh approach to language that challenges traditional forms. This essential anthology not only celebrates the poet's contributions but also invites readers to explore the depths of modern American poetry.

      My Vocabulary Did This to Me
    • Cuckoo Land

      The Cuckooing Risk Environment

      • 104pages
      • 4 heures de lecture

      Focusing on the phenomenon of 'cuckooing', the book offers a fresh perspective on the drug market-related harm associated with this issue. Utilizing extensive qualitative data, it provides a theoretically informed analysis that sheds light on the complexities and implications of cuckooing, which is gaining attention in contemporary discussions about drug-related crime and victimization.

      Cuckoo Land
    • Policing County Lines

      Responses To Evolving Provincial Drug Markets

      • 272pages
      • 10 heures de lecture

      Focusing on the County Lines drug market in the UK, this book offers a deep dive into police responses through ethnographic fieldwork. It transports readers into the realities of policing, examining both innovative tactics and traditional methods used by officers. The analysis reveals that policing strategies often serve symbolic purposes, emphasizing public messaging over substantive impact. However, it also highlights a shift towards harm reduction principles in drug policing. This research is essential for academics, practitioners, and policymakers in Criminology and Policing.

      Policing County Lines
    • Indispensable volume of previously unavailable poetry by an American masterBe Brave to Things shows legendary San Francisco Renaissance poet Jack Spicer at the top of his form, with his blistering intelligence, painful double-edged wit, and devastating will to truth everywhere on display.

      Be Brave to Things
    • Fourteen Jack Spicer poems connected with the notion of music. The chapbook was designed and printed by Ron and Graham Macintosh in San Francisco from a typescript made available by Peter Howard.

      A Book of Music
    • Jack Spicer (1925-1965) ist die mysteriöse Größe der amerikanischen Poesie. "Jack Spicer", schreibt Stefan Ripplinger im Nachwort zu seinem Buch mit Spicers serial poems, die er hier im Original und seiner Übersetzung präsentiert, "schrieb keine Gedichte, er hielt Séancen ab. Verse werden Verkündigungen, Repräsentationen Vergegenwärtigungen von Abwesendem, Herabrufen von Fremdem, Vergänglichem. Bürgerliche Dichtung dagegen spricht gewöhnlich aus der Intimität eines unergründlichen Ich. Ein solches Ich zu besitzen, bestritt Spicer vehement, kein Autor sei er, keine Autorität, sondern bloß ein Behälter, ein Auffänger, ein Medium, Diener höherer, abscheulicher Mächte. Geboren werde einer in seinen Gebeten, in seinen Anrufungen, in der Sprache, aber immer nur als Phantom. Seine Gedichte seien ihm von Gespenstern oder - damit es nicht nach Spökenkiekerei klingt - Marsmännchen 'diktiert' worden. Er glaube an ein 'Jenseits', an ein Jenseits seiner selbst. Seine Verse sind Irrläufer aus den Steppen von Gedächtnis, Gesellschaft und Sprache."

      15 falsche Lehrsätze wider Gott und andere serial poems