At the 1900 Paris Exposition the pioneering sociologist and activist W.E.B. Du Bois presented an exhibit representing the progress of African Americans since the abolition of slavery. In striking graphic visualisations and photographs, he showed the changing status of a newly emancipated people across America and more specifically in Georgia, the state with the largest black population. The hand-drawn charts, maps and graphs represented their achievements and economic conditions in radically inventive forms, long before such?data visualisation? was commonly used in social research. Their clarity and simplicity seem to anticipate the abstract art of the Russian constructivists and other modernist painters in the decades to follow.0The photographs in?The American Negro Exhibit? were drawn from African American communities across the United States. Both the photographers and subjects are mostly anonymous. They show people engaged in various occupations, in study and training, and posing formally for group and studio portraits. Elegant and dignified, they refute the degrading stereotypes of black people that were prevalent in white America. They also stood as a riposte to the racist representation of Africans at the Exposition Universelle, where?human zoos? presented them as primitive beings leading a timeless existence outside of history
